Crowd Sourced Maps: Cognitive Instruments for Urban Planning and Tools to Enhance Citizens’ Participation

Mattioli, Cristiana

doi:10.1007/978-3-319-03798-1_13

Cited by 2 publications

(1 citation statement)

References 5 publications

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“…A more elaborate example is the Seattle Band Map [5] exploring the region's music scene through tracking the interconnectedness of bands across personal relationships and collaborations. Mapping activities have benefited from advances in Geographical Information Systems and crowdsourcing techniques (Mattioli, 2014). Over the years, digital tools to plot data on maps have become more accessible and user-friendly, leading to a plethora of activity by both commercial and non-commercials actors.…”

Section: Maps and Censusesmentioning

confidence: 99%

1-2-3-4! Measuring the values of live music: methods, models and motivations

Hoeven

Behr

Hamilton

et al. 2021

AAM

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PurposeThis paper sets out to compare different methodologies for measuring the value(s) of live popular music and to explore the different motivations amongst a range of organisations engaged in that work.Design/methodology/approachThe authors analyse how the values of live music are measured, who does it and why. Based on this analysis the authors present a model that visualises the myriad of organisations, methods, aims and objectives involved.FindingsThe authors identify three approaches to measuring the impact of live music (economic impact studies, mapping and censuses and social sciences and humanities) and three types of actors (industry, policy and academia). The analysis of these demonstrates that measuring live music is not a neutral activity, but itself constructs a vision on how live music ecologies functionPractical implicationsFor cultural organisations, demonstrating the outcomes of their work is important in acquiring various forms of support. The model presented in this paper helps them to select adequate methodologies and to reflect on the consequences of particular approaches to measuring live music activities.Originality/valueWhile the number of studies measuring live music's impact is growing, theoretical and methodological reflection on these activities is missing. The authors compare the different methodologies by discussing strengths and weaknesses. This results in a model that identifies gaps in existing studies and explores new directions for future live music research. It enhances understanding of how different ways of measuring live music affect policymaking and conceptions of what live music is and should be.

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Section: Maps and Censusesmentioning

confidence: 99%