2016
DOI: 10.1037/xlm0000253
|View full text |Cite
|
Sign up to set email alerts
|

Cross-sensory correspondences and symbolism in spoken and written language.

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1
1

Citation Types

1
28
0

Year Published

2017
2017
2020
2020

Publication Types

Select...
7
1

Relationship

0
8

Authors

Journals

citations
Cited by 17 publications
(29 citation statements)
references
References 109 publications
1
28
0
Order By: Relevance
“…Here, a weak disposition to map some sounds onto visual properties could be enough to scaffold the association of particular sounds to certain aspects of visual stimuli (e.g., shape), and repeated experience of this sort could develop into the insight that speech sounds have meanings (see Imai & Kita, , for such an hypothesis). In line with this idea, Walker () argues that visual properties (such as size) could be intrinsically coded with auditory information (such as acoustic frequencies), making the cross‐modal correspondence between these two dimensions obvious to the perceiver. For instance, formant frequencies are more spatially dispersed from the fundamental frequency in low‐ rather than in high‐frequency sounds.…”
Section: Discussionmentioning
confidence: 99%
See 1 more Smart Citation
“…Here, a weak disposition to map some sounds onto visual properties could be enough to scaffold the association of particular sounds to certain aspects of visual stimuli (e.g., shape), and repeated experience of this sort could develop into the insight that speech sounds have meanings (see Imai & Kita, , for such an hypothesis). In line with this idea, Walker () argues that visual properties (such as size) could be intrinsically coded with auditory information (such as acoustic frequencies), making the cross‐modal correspondence between these two dimensions obvious to the perceiver. For instance, formant frequencies are more spatially dispersed from the fundamental frequency in low‐ rather than in high‐frequency sounds.…”
Section: Discussionmentioning
confidence: 99%
“…For instance, formant frequencies are more spatially dispersed from the fundamental frequency in low‐ rather than in high‐frequency sounds. This could explain another sensitivity to sound symbolism, that is the tendency to associate high‐frequency sounds—with small spatial dispersion—with small objects and low‐frequency sounds—with greater spatial dispersion—with larger objects (see, for instance, Walker, , for an overview of pitch‐size correspondences). If this hypothesis were true, this would mean that sensitivity to sound symbolism emerges from a direct perceptual association between visual and auditory dimensions, and that this association does not necessarily need to be learned.…”
Section: Discussionmentioning
confidence: 99%
“…However, fundamental acoustic features of speech sounds may well vary with regards to their sound-symbolic meaning, and thus affect size and shape ratings differently. Assessing the phonetic attributes of sound symbolism also provides a finer picture of what underpins individuals’ biases to link otherwise unrelated sounds and meanings to one another 26 . It has been shown in artificial language learning tasks that non-arbitrary word-meaning associations are easier to learn than arbitrary word-meaning associations 27 , but it remains unclear what exactly the participants are tracking during the perception of the artificial sounds.…”
Section: Introductionmentioning
confidence: 99%
“…This framework may extend to sound symbolic associations (see P. Walker, 2016). That is, some sound symbolic associations might arise due to phonemes and stimuli sharing connotations.…”
Section: Mechanisms For Associations Between Phonetic and Semantic Fementioning
confidence: 99%
“…If orthographic features were found to play a large role in sound symbolism, it might weaken the claims of some theories that rest on phonological and/or articulatory features (e.g., the frequency code hypothesis, double grasp neurons). Associations based in orthography would likely be due to shared low-level perceptual features among letters and associated stimuli (though for potential roles of connotation, see Koriat & Levy, 1977;P. Walker, 2016).…”
Section: Outstanding Issues and Future Directionsmentioning
confidence: 99%