Cross-cultural Study of Chinese Piano Works

Abstract

This thesis aims to explore the performance and impact of Zhang Chao's "Pi Huang" and Chen Qigang's "Moment of Peking Opera" in a cross-cultural context. Through the analysis of the musical characteristics, cultural connotations, and cross-cultural integration of these two works, it reveals their unique position and significance in the cross-cultural study of Chinese piano works. Through comparative analysis, this study seeks to delve into the roles and values of these two works in cross-cultural exchanges, providing new perspectives and approaches for the cross-cultural study of Chinese piano works.