Croce, Philosophy and Intellectuals: Three Aspects of Gramsci’s Theory of Hegemony

Olsaretti, Alessandro

doi:10.1177/0896920514540184

Cited by 7 publications

(7 citation statements)

References 28 publications

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“…In this study, I define common sense as a taken for granted set of assumptions and judgments about the world. Gramsci explains that common sense has a significant impact on the life of the masses as it dictates the taken for granted assumptions of how one should conduct themselves (Olsaretti, 2016). Common sense is "especially tied to hegemony, being all-pervasive and organizing the everyday life of the masses" (Jacobitti, 1983 as cited in Olsaretti, 2016, p.342).…”

Section: Phenomenology Phenomenology Borrowsmentioning

confidence: 99%

“I will be respectful of the scheduled time.”: Hegemony, Productivity, and Time

Levin

2020

IJURCA

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Although time is a topic that humans have discussed at length for ages, only recently have sociologists examined time and its relationship to society. The goal of this study aims to investigate the relationship between the time schemes of individuals in everyday life and the macrostructures under dominant control. The study uses qualitative in-depth interviews and found (1) a common sense of productivity permeates everyday life and interactions, (2) respect and timeliness are linked through expectations of productivity, and (3) people change their expectations about timeliness given certain contexts. This work suggests that more research is needed that takes into account how everyday routines are embedded and reinforced through hegemonic time.

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Section: Phenomenology Phenomenology Borrowsmentioning

confidence: 99%

“I will be respectful of the scheduled time.”: Hegemony, Productivity, and Time

Levin

2020

IJURCA

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“…Italy still needed more discipline and less superstition [55] (pp. 94,118,121). So, Gramsci took Weber in, digesting the useful elements, but refusing the poisonous pessimism that led to desperate recommendations for charismatic leaders [105].…”

Section: The Blind Alley Of Rational Modernization: Weber's War On Plmentioning

confidence: 99%

“…Refusing to dismiss people and positions that were considered class enemies by the radical left, Gramsci would engage the broadest possible range of interlocutors as part of the work to bind the disparate sub-cultures into one national culture. Unafraid that the revolution would be sidetracked by admitting legitimate moves from political competitors, Gramsci hoped to win some of them over; in any case, he admitted useful elements even from recalcitrant opponents, like Croce ( [120]; but see the critical remarks of [121]). Once the Moderates, for another example, recognized a point of contact with the communists, engaging in the dynamic of praxis could winnow good ideas from the chaff of tradition and reduce the distance between competitors who share the same goal [122].…”

Section: Reformation Latin Stylementioning

confidence: 99%

Optimism of the Will

Sommer

Sacco

2019

Sustainability

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Responding to Max Weber's dour predictions, we enlist Antonio Gramsci's optimism to suggest how culture can spike development. Weber's sociological focus took culture to mean shared beliefs and practices. As a culture that derives from the Protestant Ethic, capitalism waged a "war on pleasure." Weber warned that this unfeeling rationality would generate an "iron cage" to trap our humanity, but his book has been read, paradoxically, as a manual for the lock down. Gramsci, on the contrary, understood culture in its humanistic sense, as a field of aesthetic pleasure, innovation, and debate. For him, a precondition for transformational social change was the broad engagement of masses as empowered collectives (Weber favored charismatic leaders); and pleasure in idiosyncratic forms of artistic as well as rooted expression was the fuel for participating in personal and shared advances. This pleasure in art and collective interpretation contrasts with the exclusionary rituals of commodified pleasure typical of capitalist consumerism. Gramsci's confidence in the transformational role of creative culture provides a framework for understanding a new wave of inclusive artistic practices that originate in the Global South and that revive the arts as vehicles for active citizenship. Participatory art can re-enchant today's sorely disenchanted socio-cultural world of mature capitalism.

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“…Akibatnya, Saksi Mata hadir sebagai bentuk lain dari ungkapan simpatik terhadap korban kekerasan sebagaimana terepresentasi dalam cerpen "Salazar". Clark (1996) (Mouffe, 1979;Martin, 1998;Olsaretti, 2014;Pihlajaniemi, 2017).…”

Section: Kata-kata Kunciunclassified

KONFRONTASI IDEOLOGI, PERANAN TOKOH INTELEKTUAL, DAN PERANAN FORMATIF ANTOLOGI SAKSI MATA KARYA SENO GUMIRA AJIDARMA (Ideological Confrontation, The Role of Intellectual Characters, and Formative Roles of Anthology Saksi Mata Written by Seno Gumira Ajidarma)

Rifa'ie¹

2019

Kandai

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The aim of this study is to explain the notions about ideological confrontation, the role of intellectual characters, and formative anthology in Saksi Mata, the anthology of short stories by Seno Gumirah Ajidarma. This study applied the descriptive qualitative design. The study also uses sociology of literature as the approach of the study with specialized implementation of hegemony theory by Antonio Gramsci. In order to get the precision data, the study applied note taking technique in data collection. The technique of data analysis was used Miles and Huberman model. The result of this study conclude to several notions as follows. First, ideological confrontation in Saksi Mata had an aim to refute the militarism, anarchism, and radicalism, while the notion of humanism become mediation of Ajidarma's emancipation towards inequity incidents in society. Furthermore, nationalism, etnonationalism, and nativism are able to exist as the prerequisites, in order to convey the society regarding the voice of human rights violation victims. Second, intellectual characters in Saksi Mata were created by Ajidarma as the figure or message transmitter with the purpose to convey society regarding the human rights violation incidents. Third, Saksi Mata formative role as an anthology is critically not only valid as a historical documentation but also it intends to link the conditions of historical event as an emancipatory effort. AbstrakPenelitian ini bertujuan untuk menjelaskan konfrontasi ideologi, peranan tokoh intelektual, dan peranan formatif antologi Saksi Mata karya Seno Gumira Ajidarma. Jenis peneletian ini ialah deskriptif kualitatif. Pendekatan penelitian ialah sosiologi sastra dengan menggunakan teori hegemoni Antonio Gramsci. Pengumpulan data penelitian menggunakan teknik baca-catat. Teknik analisis data ialah model Miles dan Huberman. Hasil penelitian ini adalah sebagai berikut. Pertama, konfrontasi ideologi pada Saksi Mata bertujuan untuk menyangkal ideologi militerisme, anarkisme, dan radikalisme, tetapi ideologi humanisme menjadi mediasi emansipasi Ajidarma terhadap insiden ketidakadilan manusia, sedangkan ideologi nasionalisme, etnonasionalisme, dan nativisme mampu eksis sebagai prasyarat untuk menyampaikan suara nasib korban kekerasan dan pelanggaran hak asasi manusia. Kedua, tokoh intelektual pada Saksi Mata diperankan oleh Ajidarma untuk menyampaikan peristiwa kekerasan dan pelanggaran hak asasi manusia. Ketiga, peranan formatif Saksi Mata sebagai antologi yang secara kritis tidak hanya berlaku sebagai dokumentasi peristiwa historis melainkan juga bermaksud untuk menghubungkan kondisi peristiwa historis tersebut sebagai upaya emansipasi.

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Croce, Philosophy and Intellectuals: Three Aspects of Gramsci’s Theory of Hegemony

Cited by 7 publications

References 28 publications

“I will be respectful of the scheduled time.”: Hegemony, Productivity, and Time

“I will be respectful of the scheduled time.”: Hegemony, Productivity, and Time

Optimism of the Will

KONFRONTASI IDEOLOGI, PERANAN TOKOH INTELEKTUAL, DAN PERANAN FORMATIF ANTOLOGI SAKSI MATA KARYA SENO GUMIRA AJIDARMA (Ideological Confrontation, The Role of Intellectual Characters, and Formative Roles of Anthology Saksi Mata Written by Seno Gumira Ajidarma)

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