2018
DOI: 10.1007/978-3-319-78178-5_5
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Critical Perspectives on Applied Theatre for Social Change: Defamilarising Key Words in the Field

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Cited by 5 publications
(4 citation statements)
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“…discourse analysis ( 2009). This form of analysis understands policies (or evaluation reports, or websites advertising theatre programs) as not telling us what is actually being done in the program, but demonstrating what 'things' (outcomes, social goals, kinds of people) are desirable and powerful in the particular institutional and historical context in which they were written (Bacchi, 2009;Bacchi & Goodwin, 2016;Freebody & Goodwin, 2018). The methodology asks the following seven questions and steps about a text: Question 1: What's the problem (e.g.…”
Section: Methodological Perspectivesmentioning
confidence: 99%
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“…discourse analysis ( 2009). This form of analysis understands policies (or evaluation reports, or websites advertising theatre programs) as not telling us what is actually being done in the program, but demonstrating what 'things' (outcomes, social goals, kinds of people) are desirable and powerful in the particular institutional and historical context in which they were written (Bacchi, 2009;Bacchi & Goodwin, 2016;Freebody & Goodwin, 2018). The methodology asks the following seven questions and steps about a text: Question 1: What's the problem (e.g.…”
Section: Methodological Perspectivesmentioning
confidence: 99%
“…Instead, we (the New Zealand authors) examine reports, policy and funding materials from which, we argue, the dominant discourses for applied drama/theatre/performance, particularly related to young people's mental health and wellbeing, in New Zealand are likely to be derived: The discussion that follows in this article is informed by the above methodology, but not strictly wedded to it. Rather than engaging in detailed explorations of the language and discourses at play in each document (see Freebody et al(2018); Freebody & Goodwin 2017 for projects similar to this), we use these documents to explore the ways in which particular subjects and objects are called forth in drama/theatre/performance in health and well-being contexts.…”
Section: )mentioning
confidence: 99%
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“…Mientras que, desde el paradigma Reconceptualista impulsa un discurso de 'Construcción de Sentidos', empujando una política situada en el reconocimiento de la diversidad y la participación de los distintos actores, en la definición y autodeterminación de las condiciones educativas como bien común (Fenech, 2019;Young, 1990). Así, trasciende la redistribución material de recursos (Freebody y Goodwin, 2018) y se acerca a la justicia social desde el reconocimiento de identidades y de la co-construcción de sentidos compartidos.…”
Section: Justicia Social Y Epaunclassified