Crime in the Art and Antiquities World 2011
DOI: 10.1007/978-1-4419-7946-9_2
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Criminal Law Protection of Cultural Heritage: An International Perspective

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Cited by 22 publications
(17 citation statements)
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“…A detailed discussion of these rules of international law or those governing transnational relations between states and museum institutions or private collections falls beyond the scope of this paper. We would simply underscore the traditional orientation of international and European regulations toward private law instruments, i.e., toward the return or restitution of the object, rather than toward criminal law, which is reserved for sanctions in the anomalous cases of armed conflict (Manacorda 2011;Lazari 2018).…”
Section: The International Legal Response: Reevaluating What Is Criminalmentioning
confidence: 99%
See 1 more Smart Citation
“…A detailed discussion of these rules of international law or those governing transnational relations between states and museum institutions or private collections falls beyond the scope of this paper. We would simply underscore the traditional orientation of international and European regulations toward private law instruments, i.e., toward the return or restitution of the object, rather than toward criminal law, which is reserved for sanctions in the anomalous cases of armed conflict (Manacorda 2011;Lazari 2018).…”
Section: The International Legal Response: Reevaluating What Is Criminalmentioning
confidence: 99%
“…However, this does not mean that the civil approach represented by the Paris and Rome laws has been truly effective. On the contrary, it is widely recognized in the literature that this panoply of regulations falls short (Gerstenblith 2003;Manacorda 2011;Mackenzie 2011). The difference in the political weight of the countries that receive objects and those that supply them, the complexity of domestic laws for the purposes of private law, as it is not always easy to determine which rule of law is applicable to a given object (Fuentes Camacho 1994), and the techniques for covering the trail regarding the objects' origin all hinder and prolong the processes, rendering them all but exceptional.…”
Section: The International Legal Response: Reevaluating What Is Criminalmentioning
confidence: 99%
“…There are three factors: firstly, the types and values of the damage caused; secondly, the level of risk posed to society; and finally, the links with organised crime. However, another approach that is closely related to this issue is the role played by international law in providing solutions to the protection of cultural properties according to the following factors (based on Manacorda’s approach: Manacorda, 2011, pp. 19–23): Art crime is frequently transnational crime: cultural goods are part of cultural heritage; the various crimes are committed against the property of nations, also a mankind. The most serious crimes are characterised by transnational dimension: namely, the illicit trade of cultural goods. There is a correlation with the organised crime (dealing in stolen goods, money laundering, financial and tax offences). …”
Section: Criminal Law Approach In Protection Of Cultural Goodsmentioning
confidence: 99%
“…For those purposes, databases on stolen cultural properties have been developed at various levels. 20 As an example, a department of the French Central O ce for the Fight against Illicit Tra cking in Cultural Goods (OCBC) has a database of stolen cultural objects called "TREIMA" (Thesaurus of Electronic and Image Research in Artistic Matters). 21 As another example, the ICOM Red Lists Database provides a useful platform, and Emergency Red Lists published by ICOM are authorized reference materials in this eld.…”
Section: The Role Of Inventories and Databasesmentioning
confidence: 99%