Creative work as scholarly work

Krauth, Nigel; Nash, Peter

doi:10.1080/14790726.2018.1545791

Cited by 3 publications

(2 citation statements)

References 8 publications

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“…I wonder if the name will catch on. It's a bit of a joke, actually, because as Krauth and Nash (2018) explain, authors have been writing exegetically in creative works for thousands of years. For whatever reason, "the institution" separates these concepts, so the student puts the exegesis in the green box and the creative bits in the blue box.…”

Section: The Revenge Of Helios Author's Prefacementioning

confidence: 99%

TEXT poetry, prose and script October 2022

Caruso¹,

Gant²

2022

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or adjust one dial, kaleidoscope it, telescope it, tell something that almost looks like a story you knew but isn't quite, or make it necessarily universal or achingly particular, or a window or a door or a table or a bed or a lie, or disclose that a part of history can be seen as this story, or through the lens of this story, or keep the story unchanged but play it in a different key, tell it in a different voice, use it to prick a conscience or a finger, get distracted by something shining on the ground while the story parades past on the horizon, add blood, add fire, add love, take all of that away, find the bones of the story, grind them for bread, bury them under a tree and listen to hear what will sing in those branches, make three attempts at retelling it, or seven, or twelve, dangle it in a stream, use it to keep curses at bay, use it to call witches, use it as a map, fail to rely on it, be failed by it, build a mythology out of it, make it jazz/punk/rock-and-roll, smash its icons, strip it for parts, make a mosaic, a shanty, a mansion, a coat, a spell, fit it for speed, steal its names, its breath, demand it keeps its promise, keep a promise for it, or to it, or with it, be faithless, be faithful, take it in, let it rest by the fire and eat from your plate, name it (or be named by it, or give it your name), find it in the ashes and raise it up, find it on a doorstep and raise it as your own,

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Section: The Revenge Of Helios Author's Prefacementioning

confidence: 99%

TEXT poetry, prose and script October 2022

Caruso¹,

Gant²

2022

Text

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“…“Working the ruins” or “traps” of former qualitative methodologies has inspired Elizabeth St. Pierre and others to think afresh into “post qualitative research” founded upon a “philosophy of immanence,” “concerned not with what is but what is not yet, to come ” (St. Pierre, 2019). Similarly reaching beyond the boundaries of conventional methods, the creative and the scholarly have increasingly come to be regarded as one and the same (Krauth & Nash, 2019), including in terms of research. In fact, in the sense that “truth” is as messy as artists suggest (multiple, partial, context dependent, and contingent), one could argue that only multimodal research can do justice to truth’s complexities.…”

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confidence: 99%

The And Article: Collage as Research Method

Rijke

2023

Qualitative Inquiry

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In 1994, Denzin and Lincoln suggested an immediate future for qualitative research, very akin to collage. This article begins by examining a seminal early collage work by Kurt Schwitters and ends with an example of the author’s own meta-collage as a means of exploring the model as both a “borderlands epistemology,” an art form, and a research practice. Claims for collage’s potential for rich data collection plus iterative, inclusive, critical practice are made, as with that of bringing the “unthought known” using synecdoche and serendipity to the surface, championing arts-based, “And” methods.

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2020

The Creative PhD: Challenges, Opportunities, Reflection

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Creative work as scholarly work

Cited by 3 publications

References 8 publications

TEXT poetry, prose and script October 2022

TEXT poetry, prose and script October 2022

The And Article: Collage as Research Method

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