2020
DOI: 10.1177/1077800420933298
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Creative Subversion: Staking a Claim for Critical Qualitative Inquiry

Abstract: It is important to define the ethnographical practices as a way of thinking and doing critical qualitative inquiry. Creative subversion currently arises as a breaking of rules, institutional change, social or political protest, popular or civic rebellion, fighting the law or simply radical transformation of situations. Today it is everywhere even though there is too much silence around it, which could be catastrophic for qualitative research. Reflexive methods could be enriched if researchers looking for socia… Show more

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Cited by 6 publications
(4 citation statements)
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References 43 publications
(34 reference statements)
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“…MCQI can contribute to collective discussions about scientifically-based policy that is essentially linked to public policies emanating from civil aspirations toward emancipation, justice, and equity. Furthermore, it is relevant that MCQI is intrinsically and immanently linked to transformative, militant, activist, rebellious, and creative practices of inquiry, as (a) creative subversion (Cisneros-Puebla, 2021), (b) creative activism (Harrebye, 2016), and (c) collective theorization (Shukaitis et al, 2007).…”
Section: Always/already Acknowledging the Political: Making Mcqimentioning
confidence: 99%
“…MCQI can contribute to collective discussions about scientifically-based policy that is essentially linked to public policies emanating from civil aspirations toward emancipation, justice, and equity. Furthermore, it is relevant that MCQI is intrinsically and immanently linked to transformative, militant, activist, rebellious, and creative practices of inquiry, as (a) creative subversion (Cisneros-Puebla, 2021), (b) creative activism (Harrebye, 2016), and (c) collective theorization (Shukaitis et al, 2007).…”
Section: Always/already Acknowledging the Political: Making Mcqimentioning
confidence: 99%
“…In conjunction with the right research question, the use of photography in qualitative studies is a novel way to tell an organization’s tough stories that may not be easily captured in words, and counter the dominant, humanist assumptions that limit the use and value of the self (Kuchinke, 2005; Trehan and Rigg, 2011) in HRD research. At the same time, numerous variations on photograph elicitation, which includes participant photography, might serve as creative subversion, a concept described by Cisneros Puebla (2020) as a “[…] methodology whose commitment is to be sensitive to the changing forms of social reality” (p. 2). This is because it subverts “a given order, a set of circumstances, implicit rules or, institutionally said, the status quo” (p. 2), which could meet Bierema’s (2020a) call for bold research in HRD.…”
Section: Moving the Needle Through The Stories We Tellmentioning
confidence: 99%
“…Authors in this special issue present some ways in which innovative qualitative research can be applied to HRD as a response to a call for bold research (Bierema, 2020), critical qualitative inquiry (Cisneros Puebla, 2021), innovative methods (Elsebach and Kramer, 2016), innovating research methods (Lê and Schmid, 2022) or the post-qualitative movement (Larson et al , 2021). As the existing normal in HRD cannot continue with the pandemic, HRD scholars and practitioners must “interrogate ‘normal’ … [doing research] that boldly responds to a post-pandemic world” (Bierema, 2020, p. 348).…”
Section: Contributions Of the Special Issuementioning
confidence: 99%