Creative economy: thematic perspectives addressed and research methodologies adopted

Guilherme, Luciana Lima

doi:10.1186/s40552-017-0040-0

Cited by 16 publications

(15 citation statements)

References 31 publications

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“…The creative economy sector provides a new vital spark to carry out economic development in the midst of increasingly distressing global environmental conditions, in other word climate change. Moreover, Faradiba and Zet (2020) in their research results reveal that in formulating rural development policies, the government must pay attention to the issue of global warming.Through the provision of resources that will never run out of time, in other word human creativity (Coles, 2016;Guilherme, 2017), the creative economy is predicted to be the essential aspect of the national economy of many countries, one of which is Indonesia.…”

Section: Creative Economy In Indonesiamentioning

confidence: 99%

“…The development of the creative economy sector from year to year has become so encouraging that it becomes news as to which policymakers recognized the creative industry's role in accelerating economic growth (Fleischmann et al, 2017). The creative economy sector is aimed, in line with time and technology, not only in urban areas and developed countries, but also in developing countries (Guilherme, 2017), including rural areas. In Indonesia, the development of creative economy systematically started with Presidential Instruction (Perpres) No.…”

Section: Creative Economy In Indonesiamentioning

confidence: 99%

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A Creative Economy Development Strategy: The Case of Trenggalek Creative Network for Trenggalek Regency, Indonesia

Agustina¹,

Winarno²,

Pratikto³

et al. 2020

JAFEB

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The purpose of this research aims to develop the creative economy sector of rural communities in Trenggalek Regency, East Java, Indonesia by mapping the creative economy sub-sectors in Trenggalek Regency. The creative economy industry has been shown to have a positive effect on GDP in many developing countries and developed countries. In urban areas, the creative economy is often associated with the development of advanced technology, such that it is unlikely to evolve in rural communities. However, the rural environmental landscape, which not only has a wealth of creative human capital but also a cultural heritage, also encourages the growth of the creative economy sector in rural areas. This qualitative research was conducted for 60 working days through in-depth interviews, focus group discussions, observation and literature review. More precisely, first, it identified the potential of the creative economy both sectorally and regionally. Second, it identified the leading creative economy subsectors and compiled a creative economic development road map. After defining and mapping the potential of the creative economy, four of the sixteen sub-sectors of the creative economy were identified to be developed through a strategic plan for the growth of the creative economy using urban branding, innovative industrial centers and renewable resources.

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Section: Creative Economy In Indonesiamentioning

confidence: 99%

Section: Creative Economy In Indonesiamentioning

confidence: 99%

A Creative Economy Development Strategy: The Case of Trenggalek Creative Network for Trenggalek Regency, Indonesia

Agustina¹,

Winarno²,

Pratikto³

et al. 2020

JAFEB

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show abstract

“…Equally, there are several obstacles for data collection, as a high proportion of workers belong to the informal sector, posing major challenges for formal economic measurements and public policy diagnosis and intervention. Focusing only on the formal market of cultural consumption and production, as FIRJAN’s studies have done, fails to produce an accurate picture of the creative sectors’ actual contribution to the Brazilian GDP, for they do not capture the vast informal creative economy, whose legal and institutional frameworks still need to reach a state of maturity (Guilherme, 2017).…”

Section: Informality Cultural Policies and Favelasmentioning

confidence: 99%

Creativity, informality and cultural work in Rio de Janeiro’s favelas

Dinardi

2019

International Journal of Cultural Studies

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In the last decade, new policy initiatives emerged in Latin America as a response to the rise of a 'creative turn' in the global North. This paper examines the impact of such turn on urban cultural policies for informal settlements in Rio de Janeiro, Brazil, focusing on the case of 'Favela Criativa'-a governmental programme to support young people's cultural and creative work across favelas. The analysis reveals that the programme has effectively widened the visibility of favelas' cultural and creative work, increased financial public support, and developed practical strategies for working with informality. However, it also raises questions about the extent to which this innovative policy development actually challenges prevalent managerial views of creativity guided by a market logic. The paper demonstrates that a focus on informality as groundwork for political resistance in the city can expand our understanding of the creative economy beyond precarisation, self-exploitation and individualization.

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“…It was necessary to increase export demand behavior, compared to export offers of creative economy products. It showed that this creative industry presents enormous potential for developing countries searching to diversify their economy and jump into one of the world's most dynamic economic sectors (Guilherme, 2017). Effective distribution channels can be a source of strategic advantage for, for example, companies (Mulky, 2013).…”

Section: Introductionmentioning

confidence: 99%

Interior Design Production Plan Simulation Modeling with Dynamics System: A Case Study of PT. Panutan Sejati

Riyanto

Santoso

2022

jhsss

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This research was to make interior design production planning more controlled and optimal. The simulation method was considered able to represent the dynamic form of the system and can find scenarios to solve the problems at PT Panutan Sejati. The qualitative research was at PT. Panutan Sejati models located at the Workshop: Jl. Kartini Health Center No. 113 Kalisari, East Jakarta from June to September 2021. The results showed that from the modeling designed based on existing conditions, in the design production planning at PT Panutan Sejati, the factors influencing production planning were: market demand and the production process. While the factors that affected profit were production costs, labor resource costs, overhead costs, commercial costs, and net revenue. It was necessary for improving the proposed system improvement to create and implement scenarios to fulfill effective and efficient production planning to get increased profits. The scenarios included adding workers and creating a design division. The scenario that gave optimal results in increasing profit was scenario 1. This scenario changed the parameter value of the workforce. Based on changes in labor parameters as a variable in the model, if the percentage of labor was set to 45%, then production costs would decrease every year. It was predicted to reach 21.40% and an increase in profit by 13%, with an average decrease in production costs until 2026.

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Creative economy: thematic perspectives addressed and research methodologies adopted

Cited by 16 publications

References 31 publications

A Creative Economy Development Strategy: The Case of Trenggalek Creative Network for Trenggalek Regency, Indonesia

A Creative Economy Development Strategy: The Case of Trenggalek Creative Network for Trenggalek Regency, Indonesia

Creativity, informality and cultural work in Rio de Janeiro’s favelas

Interior Design Production Plan Simulation Modeling with Dynamics System: A Case Study of PT. Panutan Sejati

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