Abstract:This paper is an analysis of two Lithuanian documentary films – Rugilė Barzdžiukaitė’s “Acid Forest” (Rūgštus miškas, 2018) and Aistė Žegulytė’s “Animus Animalis (A Story about People, Animals and Things)” (Animus Animalis (Istorija apie žmones, žvėris ir daiktus)) (2018). Both of these films re-evaluate the way animals are being represented in cinema. The analysis will be conducted within three frameworks: Lithuanian poetic documentary, nature or wildlife documentaries and animal studies in the field of film … Show more
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