2011
DOI: 10.1080/0966369x.2011.535297
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Creating a space for young women's voices: using ‘participatory video drama’ in Uganda

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Cited by 42 publications
(28 citation statements)
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“…This has been accomplished on a number of fronts, and, crucially, involves a sensitisation to emotion that operates in various ways. Firstly,visual andperformative methods of participatory research (such as participatory diagramming and video)have admitted more inclusive, richer and alternative registers of feeling into participatory processes (Kindon 2003;Waite and Conn 2011). Thus, participatory researchbecomesanexpressive, rather than instrumentally representational/representative, form of knowledge production where literal 'voice-ing' is accompanied by various other expressive registers (the visual, the haptic, the danced).…”
Section: Two Choices (Of Many): Moving Beyond Instrumentalism or Momentioning
confidence: 99%
“…This has been accomplished on a number of fronts, and, crucially, involves a sensitisation to emotion that operates in various ways. Firstly,visual andperformative methods of participatory research (such as participatory diagramming and video)have admitted more inclusive, richer and alternative registers of feeling into participatory processes (Kindon 2003;Waite and Conn 2011). Thus, participatory researchbecomesanexpressive, rather than instrumentally representational/representative, form of knowledge production where literal 'voice-ing' is accompanied by various other expressive registers (the visual, the haptic, the danced).…”
Section: Two Choices (Of Many): Moving Beyond Instrumentalism or Momentioning
confidence: 99%
“…While not mutually exclusive, the employment of PV as a research tool has received less attention (Mistry and Berardi 2012). This is changing, however, with more candid use of 'participatory video research' to understand social memory of indigenous groups (Mistry et al 2014), the encounters of 'remote' rural communities (Kindon 2012) and young women's perspectives and experiences of sexual health (Waite and Conn 2011). With respect to drama and theatre, compelling examples exist too from the discipline including Mattingly's (2001) work with teenagers on community theatre in the USA alongside Johnston and Pratt's (2010) collaboration with the Philippine Women's Centre in BC, Canada, transposing the testimonies of female domestic workers into a play shown to the general public and policy-makers.…”
Section: Participatory Video Drama and Post-production Analysismentioning
confidence: 96%
“…Geographers' engagement with PV has developed over the past 10 years and has been driven by a concern to build ordinary people's capacity to analyse and transform their lives (Blazek and Hranova 2012;Kindon 2003;Parr 2007;Waite and Conn 2011). While not mutually exclusive, the employment of PV as a research tool has received less attention (Mistry and Berardi 2012).…”
Section: Participatory Video Drama and Post-production Analysismentioning
confidence: 98%
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“…Within both CfLAT and AUT public and environmental health disciplines, a strong focus already exists on collaborative and participatory methodologies (Waite & Conn, 2011;Maibvisira, Conn, & Nayar, 2014;Cochrane, Antonczak, Guinibert, & Mulrennan, 2014;Cochrane, Antonczak, & Wagner, 2013;Cochrane & Bateman, 2011;Conn et al, 2016). Given the New Zealand Productivity Commission's concern that tertiary providers are supply driven and more responsive to the government than students (New Zealand Productivity Commission, 2017, p. 5), this approach seeks to place students, the community and industry at the centre of developing curricula and delivery.…”
Section: A Co-designed Curriculum Model For Public and Environmental mentioning
confidence: 99%