Creating a Free Painting Situation in the Landscape Painting Course

T'ao, Shih

doi:10.2991/ssemse-15.2015.282

Cited by 1 publication

(1 citation statement)

References 3 publications

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“…On one hand, learners can engage with artworks intuitively and comprehensively (Hurst et al, 2023), thereby invigorating their creative thinking through immersive visual aesthetic experiences. On the other hand, learners immerse themselves in contexts intricately linked to the subject matter of the painting, enabling the integration of their art knowledge and fostering the effective expression of the painting's content (Tao, 2015). The metaverse solves the inherent limitations of the traditional painting environment, characterized by spatial constraints and skill-based restrictions.…”

Section: The Metaverse For Collaborative Paintingmentioning

confidence: 99%

Creating in the metaverse: An SSRL‐based collaborative painting approach to promote students' creativity, socially shared regulation and positive painting behaviours

Guan,

Wang,

Wang

et al. 2024

Computer Assisted Learning

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BackgroundPainting is the foundational expression across all art forms and is one of the key creative practices for fostering students' aesthetic ability and creativity within fine arts courses. Collaborative painting in the form of socially shared regulation of learning (SSRL) can be recognized as an effective strategy for enhancing creativity in both individual and group work. However, the absence of contextual experiences and collaborative spaces poses challenges for students in cultivating their creativity in painting.ObjectivesThe present study explores students' creativity, socially shared regulation (SSR) and positive painting behaviours using an SSRL‐based collaborative painting approach in the metaverse (Meta‐CP).MethodsVia a quasi‐experimental design, a total of 40 Chinese students in fifth grade were recruited and were randomly divided into an experimental group and a control group, with 20 students utilizing the Meta‐CP approach, while the remaining 20 students followed the conventional SSRL‐based paper‐and‐brush collaborative painting (C‐CP) approach. The Meta‐CP approach not only offers an authentic painting context and a collaborative space but also facilitates the collaborative process through the SSRL framework. The data collection included students' creative tendency, painting works and painting process.Results and ConclusionsThe Meta‐CP approach effectively enhances students' creativity concerning adventure, curiosity and imagination, as well as results in the creation of more distinctive and logical artistic works. Furthermore, the approach significantly improved the quality of students' SSR. Additionally, students utilizing the Meta‐CP approach displayed more positive painting behaviours compared with those employing the C‐CP approach.

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Section: The Metaverse For Collaborative Paintingmentioning

confidence: 99%