2009
DOI: 10.1016/j.jrurstud.2008.10.003
|View full text |Cite
|
Sign up to set email alerts
|

‘Country life’? Rurality, folk music and ‘Show of Hands’

Abstract: a b s t r a c tThis paper examines the contribution of folk music to understanding the dynamic, fluid and multiexperiential nature of the countryside. Drawing from literature on the geographies of music, it examines the work of 'Show of Hands', a contemporary folk band from Devon in England. Three areas are studied. First, the paper examines the musical style of Show of Hands in order to explore how hybridised, yet distinctive, styles of music emerge in particular places. Second, it demonstrates how Show of Ha… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
2
1
1

Citation Types

0
22
0

Year Published

2012
2012
2018
2018

Publication Types

Select...
7
1

Relationship

0
8

Authors

Journals

citations
Cited by 24 publications
(22 citation statements)
references
References 28 publications
0
22
0
Order By: Relevance
“…Understanding the interplay between representations of the rural, the rural locality and the everyday lives of those in rural locations (Halfacree, 2006) therefore becomes of central importance for analysing the police response to ASB. This paper emphasises the importance of policing in a context dependent way, something the broader policing literature has begun to address (see Fyfe, 2014;Henry, 2012;Yarwood, 2007). Halfacree's (2006) conceptualisation of rural space allows for these complex power relations to be explored.…”
Section: Conclusion: Towards Rural Policingmentioning
confidence: 99%
See 1 more Smart Citation
“…Understanding the interplay between representations of the rural, the rural locality and the everyday lives of those in rural locations (Halfacree, 2006) therefore becomes of central importance for analysing the police response to ASB. This paper emphasises the importance of policing in a context dependent way, something the broader policing literature has begun to address (see Fyfe, 2014;Henry, 2012;Yarwood, 2007). Halfacree's (2006) conceptualisation of rural space allows for these complex power relations to be explored.…”
Section: Conclusion: Towards Rural Policingmentioning
confidence: 99%
“…A number of papers have, however, recently sought to shed light on the varying dimensions of rural policing (see for example Gilling, 2010;Yarwood and Gardner, 2000;Yarwood, 2007), and perhaps, most notably, Mawby and Yarwood's (2011) edited collection Rural Policing and Policing the Rural. Rural locations are a key area of study in relation to policing and the police in Scotland, not only because 94% of the country is classed as rural using the six-fold urbanerural Scottish Government classification (Scottish Government, 2010a), but also because examining rural policing reveals important details about rural society and the role that the police play in controlling rural space .…”
Section: Introductionmentioning
confidence: 99%
“…Just what do lyricists say? As Yarwood and Charlton (2009) have demonstrated with respect to folk musicians in Britain’s West Country, analyses of song lyrics can yield insights about the contexts musicians reflect and produce. There is scope for a similar type of research regarding EDM.…”
Section: Discussionmentioning
confidence: 99%
“…There is a wealth of literature that addresses what I term here ‘enthusiastic geographies’, specifically surrounding the emotional intensities of individuals, groups and researchers in relation to particular interests. There has been fascinating work on: re‐enactment (Crang ), folk music (Yarwood and Charlton ), car‐booting (Gregson and Crewe ), allotments (DeSilvey ), rare breed societies (Yarwood and Evans ), radio collectors (Ellis and Haywood ) and most recently industrial archaeology and ‘bunkerology’ (Geoghegan ; Bennett ), model railways (Yarwood and Shaw ), amateur meteorology (Morris and Endfield ) and ornithology (Toogood ). As Bishop and Hoggett assert, enthusiasm is ‘the bedrock of everyday culture and leisure activity in Britain’ (, 3).…”
Section: Introductionmentioning
confidence: 99%