‘Countries in the Air’: Travel and Geomodernism in Louis MacNeice's BBC Features

Abstract

In the middle stretch of his twenty-two-year BBC career, the poet and producer Louis MacNeice earned a reputation as one of the 'undisputed masters of creative sound broadcasting', a reputation derived, in part, from a huge range of radio features that were founded upon his journeys abroad. Through close examination of some of his most significant overseas soundscapes-including Portrait of Rome (1947) and Portrait of Delhi (1948)-this article will consider the role and function of travel in shaping MacNeice's engagement with the radio feature as a modernist form at a particular transcultural moment when Britain moved through the end of the Second World War and the eventual disintegration of its empire.