Counterfeit Capital

Bajorek, Jennifer

doi:10.11126/stanford/9780804758246.001.0001

Cited by 2 publications

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“…Sine ux wave was imposed into the system (B-excitation case), the form factor of the output voltage was approximately equal to 1.11. Further details concerning the measurement setup may be obtained from the website [45]. The excitation frequency was kept as low as possible in order to avoid the disturbing eect of eddy currents on the shape of measured hysteresis loops.…”

Section: Modellingmentioning

confidence: 99%

Minor Loops in the Harrison Model

Chwastek

Szczygłowski

Wilczyński³

2012

Acta Phys. Pol. A

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A novel description of hysteresis phenomenon is presented. The examined description emphasizes the roles of bistability and quantum phenomena as processes responsible for hysteresis loop formation in magnetic materials. Major and symmetric minor hysteresis loops are modelled in chosen soft magnetic materials using the Harrison model. A reasonable agreement between theory and experiment is achieved.

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Section: Modellingmentioning

confidence: 99%

Minor Loops in the Harrison Model

Chwastek

Szczygłowski

Wilczyński³

2012

Acta Phys. Pol. A

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In Search of Lost Community: The Literary Image between “Proust” and “Baudelaire” in Walter Benjamin’s Modernization Lament

Ball

2015

Humanities

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This essay takes up the encounter between philosophy and literature through a reconsideration of Walter Benjamin’s remarks from “On Some Motifs in Baudelaire” about Henri Bergson’s Matière et mémoire as an attempt “[t]owering above” other ventures into Lebensphilosophie to “lay hold of the ‘true’ experience, as opposed to the kind that manifests itself in the standardized, denatured life of the civilized masses”. Despite his initial affirmation of Bergson’s understanding of experience as connected with tradition, Benjamin criticizes the philosopher’s account for sidestepping “the alienating, blinding experience of the age of large-scale industrialism” in reaction to which, as Benjamin insists, Bergson’s philosophy of memory developed. Yet even as Bergson shuts out the historical import of modernization, according to Benjamin, he also spotlights a “complementary” visual experience “in the form of its spontaneous afterimage”. Benjamin subsequently defines Bergson’s philosophy as “an attempt to specify this afterimage and fix it as a permanent record”, an endeavor that inadvertently “furnishes a clue to the experience which presented itself undistorted to Baudelaire’s eyes, in the figure of his reader”. If the literary critic might be viewed here as weighing in on a long-running antagonism between philosophy and literature, then his assessment is resolute: by praising the self-conscious historicity of Baudelaire’s lyric, Benjamin declares that poetry succeeds where Lebensphilosophie fails. Notably, Baudelaire is not the only figure to upstage “ahistorical” Bergson, since Marcel Proust and Sigmund Freud facilitate this victory. To contextualize the second section of “Motifs”, where Benjamin discusses the novelist’s “immanent critique of Bergson” this essay offers a reading of “On the Image of Proust” as a propadeutic to Benjamin’s privileging of “Baudelaire” over “Bergson” in the first section of “Motifs” to broach the destinies of diminished perception before he turns to Freud in the third section. Drawing upon Freud’s thermodynamic model of a selective and protective perceptual-conscious system from Beyond the Pleasure Principle, Benjamin explains how perception calcifies in adapting to industrialism. Notably, however, his “energetics” does not remain bound by closed-system economic premises insofar as he conceives Baudelaire’s correspondances as an antidote to reification and modernization fatigue. The resulting configuration emerges against the backdrop of a lament about the decline of tradition-infused, long-term experience [Erfahrung] that accompanies the rise of isolated experience [Erlebnis]. In tracking Benjamin’s seemingly melancholic emplotment of the literary image between “Proust” and “Baudelaire”, the essay ultimately focuses on how he amplifies its sociohistorical potential to attest to the dehiscence of tradition as a community-sustaining force.

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Counterfeit Capital

Cited by 2 publications

References 0 publications

Minor Loops in the Harrison Model

Minor Loops in the Harrison Model

In Search of Lost Community: The Literary Image between “Proust” and “Baudelaire” in Walter Benjamin’s Modernization Lament

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