Abstract:The paper examines the link John Eppel's Hatchings establishes between migration and organized crime through its representation of an immigrant community as a virus that infects the body of the newly independent Zimbabwean nation. It argues that with the inclusion in his text of refugees, expatriate teachers and researchers, Eppel has constructed Zimbabwe in the image of the postmodern nation expounded by Bhabha, without necessarily subscribing to all its characteristics. The paper discusses a number of issues… Show more
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