2016
DOI: 10.1371/journal.pone.0168891
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Correction: Validation of the Amsterdam Dynamic Facial Expression Set – Bath Intensity Variations (ADFES-BIV): A Set of Videos Expressing Low, Intermediate, and High Intensity Emotions

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Cited by 11 publications
(21 citation statements)
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“…Accordingly, we computed the objective evidence of each of six basic expressions and also the evidence of each of 20 AUs, across 31 intensities from neutral (0% intensity) to emotional (100% intensity) in 3.33% intensity steps. This adds to recent work ( Calvo et al, 2016 ; Wingenbach et al, 2016 ) regarding the role of intensity on the categorization of dynamic expressions. This approach will be particularly useful for expression discrimination studies, e.g., the lowest intensity or threshold at which a particular emotion is recognized and differentiated from others and from neutral faces.…”
Section: Introductionmentioning
confidence: 58%
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“…Accordingly, we computed the objective evidence of each of six basic expressions and also the evidence of each of 20 AUs, across 31 intensities from neutral (0% intensity) to emotional (100% intensity) in 3.33% intensity steps. This adds to recent work ( Calvo et al, 2016 ; Wingenbach et al, 2016 ) regarding the role of intensity on the categorization of dynamic expressions. This approach will be particularly useful for expression discrimination studies, e.g., the lowest intensity or threshold at which a particular emotion is recognized and differentiated from others and from neutral faces.…”
Section: Introductionmentioning
confidence: 58%
“…Video-clips are shown as supporting information (see Supplementary Dataset S4 ). A very similar or identical procedure and display duration was used previously ( Schultz and Pilz, 2009 ; Johnston et al, 2013 ; Wingenbach et al, 2016 ). Each face stimulus subtended a visual angle of 10.6° (height) × 8° (width) at a 70-cm viewing distance (this approximates the size of a real face, i.e., 18.5 × 13.8 cm, from a 1-m distance).…”
Section: Methodsmentioning
confidence: 99%
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“…contempt, pride and embarrassment) besides neutral emotion. Wingenbach et al [20] created this dataset by editing 120 videos played by 12 North European actors (5 females, 7 males) to add three levels of intensity. They created three new videos displaying the same emotion at three different degrees of intensity: low, medium and high, for a total of 360 videos.…”
Section: Dataset Usedmentioning
confidence: 99%