Copyright or Copywrong?

Forensic Technologies in Music Copyright

“…Sadie had been a music critic for The Times (1964–1981), but his major contribution to music scholarship was his work as editor of major reference encyclopedias such as the New Grove Dictionary of Music and Musicians (1980; 2001) and the New Grove Dictionary of Musical Instruments (1984). Although Sadie had previously been peripherally interested in the subject of copyright, reviewing the 10th edition of Copinger (Sadie, 1966), he never considered developing a professional career as an expert witness. He ultimately only appeared twice as an expert witness, and in both cases, Protheroe was the expert musicologist on the other side.…”