Rethinking Educational Practice Through Reflexive Inquiry 2011
DOI: 10.1007/978-94-007-0805-1_6
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Cooperation, Collaboration, Challenge: How to Work with the Changing Nature of Educational Audiences in Museums

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Cited by 13 publications
(8 citation statements)
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“…Furthermore, by engaging with children and young people from a variety of different cultural backgrounds, as portrayed by Kelly and Fitzgerald (2011) who reported upon work with Pacific Island students from the Coalition of Knowledge Building Schools (Mockler and Groundwater-Smith 2011), it is possible to broaden and enrich the museum learning experience. Stein et al (2008, p. 181) ask the question "How might visitor studies and audience-or community based research support museums in becoming more valuable, relevant and accessible to immigrant communities?"…”
Section: The Role Of Cultural Institutions Beyond the School And Why mentioning
confidence: 99%
“…Furthermore, by engaging with children and young people from a variety of different cultural backgrounds, as portrayed by Kelly and Fitzgerald (2011) who reported upon work with Pacific Island students from the Coalition of Knowledge Building Schools (Mockler and Groundwater-Smith 2011), it is possible to broaden and enrich the museum learning experience. Stein et al (2008, p. 181) ask the question "How might visitor studies and audience-or community based research support museums in becoming more valuable, relevant and accessible to immigrant communities?"…”
Section: The Role Of Cultural Institutions Beyond the School And Why mentioning
confidence: 99%
“…I will outline how a sensory approach enables us to differentiate between and categorize pedagogical settings in museums according to the different sensorial belief systems they represent and thus see how they afford different conditions for learning. The point of departure in this article is that digitally accustomed teenagers do not simply bring with them expectations of two-way and participatory modes of learning that challenge museums' one-to-many relationship with their audiences (Kelly and Fitzgerald 2011). Rather, they also bring with them sensory skills and ways of knowing, forged through everyday habitual digital practices that have implications for how they make sense of and inhabit the exhibits.…”
Section: Figurementioning
confidence: 96%
“…The project was finalized to the realization of experiential educational paths dedicated to the orientation to the scientific method and culture. Starting from the historical-scientific and naturalistic heritage of the Museums of the Network, the primary objective of these paths was to promote, among the students of the IV and V High School classes, interest in scientific culture that still suffers not only in our Country but worldwide (Online available from http://www.oecd.org/pisa/keyfindings/pisa-2012-results-o verview.pdf) [8]. The still deficient diffusion of scientific culture has significant effects on the orientation of High School students towards their succeeding higher education as well as other essential life choices and the number of graduates in scientific disciplines, with respect to the whole of graduates, is decreasing.…”
Section: Introduction: the First And The Second Project Of The Italiamentioning
confidence: 99%