2009
DOI: 10.1111/j.1527-2001.2009.01029.x
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Contradiction as Agency: Self-Determination, Transcendence, and Counter-Imagination in Third Wave Feminism

Abstract: This essay examines the contradictions often found in third wave feminist texts that function as strategic choices that may shape, foster, and enhance an individual's sense of agency. Many third wave feminists utilize contradiction as a way to understand emergent identities, to develop new ways of thinking, and to imagine new forms of social action. Agency, then, stems from the use of contradiction as a means of selfdetermination and identity, of transcendence of seemingly forced or dichotomous choices, and co… Show more

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Cited by 30 publications
(11 citation statements)
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“…Focusing more on individual narrative as the driving force of the movement, third wave literature rarely attends specifically to the question of codependency or addiction, save in particular women's stories. Renegar and Sowards (2009) argued that women exemplify third wave characteristics within these narratives, particularly in how they grapple with contradictions. Third wave feminists often embrace behaviors and images that their second wave mothers rejected, but also cling to the essential tenets of feminism such as the need for equality, eminent value, and self-determination (Baumgardner & Richards, 2000;Dicker & Piepmeier, 2003).…”
Section: Codependency and The Third Wavementioning
confidence: 98%
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“…Focusing more on individual narrative as the driving force of the movement, third wave literature rarely attends specifically to the question of codependency or addiction, save in particular women's stories. Renegar and Sowards (2009) argued that women exemplify third wave characteristics within these narratives, particularly in how they grapple with contradictions. Third wave feminists often embrace behaviors and images that their second wave mothers rejected, but also cling to the essential tenets of feminism such as the need for equality, eminent value, and self-determination (Baumgardner & Richards, 2000;Dicker & Piepmeier, 2003).…”
Section: Codependency and The Third Wavementioning
confidence: 98%
“…To identify and address these themes, the author conducted a critical feminist analysis of popular culture using Renegar and Sowards's (2009) theoretical approach as a guide (see Dow, 1990;Marwick, 2010, for related methodological approaches). This process included the examination of each episode of the first six seasons of the series, notation of messages communicating relational codependency as herein defined, and juxtaposition of those behaviors with ''traditional'' roles for men and women in relationships.…”
Section: Examining Popular Culturementioning
confidence: 99%
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“…And we are allowed to shirk the uncomfortable responsibility of questioning the choices made by other women, including our family and friends. Recent work discusses the intersection between agency, politics, contradiction, and self-expression in third-wave feminism (see Snyder-Hall, 2010;Renegar & Sowards, 2009). However, it is worthwhile to problematize how politicizing the personal may paralyze discourses surrounding gender equality and women's rights as it ''relieve[s] us of the burden of being consistently feminist ourselves'' (Ferguson, 2010, p. 250).…”
mentioning
confidence: 99%