2015
DOI: 10.1017/aee.2015.25
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Consumption, Health, and Disposability inSpongeBob SquarePants

Abstract: In recent years, food scholarship has extended its preoccupation with consumption to interrogating the relationship between eating, culture and waste, and their effects on the environment. Simultaneously, foodrelated concerns have also become a recurrent part of popular culture, where examples from children's television provide fertile ground for discussion. This article analyses the multiple representations of food, consumption, and waste in Stephen Hillenburg's animated series SpongeBob SquarePants. Focusing… Show more

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Cited by 3 publications
(2 citation statements)
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“…Also Ghareib (2011) demonstrated the importance of different activities (e.g., musical activities and innovative songs) to develop children's awareness. Piatti-Farnell (2015) recommended using TV cartoon movies like "Sponge-Bob Square Pants" to instill positive behaviors in such children. Also, Whiteside-Mansell and Swindle (2019) suggested that the "We Inspire Smart Eating" (WISE) curriculum is an effective method.…”
Section: Between Group Analysismentioning
confidence: 99%
“…Also Ghareib (2011) demonstrated the importance of different activities (e.g., musical activities and innovative songs) to develop children's awareness. Piatti-Farnell (2015) recommended using TV cartoon movies like "Sponge-Bob Square Pants" to instill positive behaviors in such children. Also, Whiteside-Mansell and Swindle (2019) suggested that the "We Inspire Smart Eating" (WISE) curriculum is an effective method.…”
Section: Between Group Analysismentioning
confidence: 99%
“…Previous research observed Spongebob Squarepants through feminist analysis and young girls' self-identification with gender roles (Duvall, 2010), and explored the series' influence on children's preferences for purchasing (de Droog et al, 2010) and food consumption (Piatti-Farnell, 2015). Other studies on Spongebob focused on masculinity, the male gender and queer coding (Dennis, 2003;de Medeiros and de Medeiros, 2018); the influence on pop culture (Groening, 2011;Fuller, 2019), its marketability (Rice, 2009) and its normalization of neocolonialism (Barker, 2019).…”
Section: Introductionmentioning
confidence: 99%