2004
DOI: 10.1080/15290824.2004.10387252
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Considering the Issue of Sexploitation of Young Women in Dance K-12 Perspectives in Dance Education

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Cited by 16 publications
(2 citation statements)
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“…She further explains that, "Approaching the body as a process rather than the object of dance choreography and performance may create an environment in which students can examine how their physical and psychological selves merge." 2 In summary, I return to some earlier questions: What are we teaching our young adolescent girls about women and what women are capable of doing? As educators, how are we either encouraging, or discouraging choreography that objectifies or trivializes women?…”
Section: Discussion and Strategiesmentioning
confidence: 98%
“…She further explains that, "Approaching the body as a process rather than the object of dance choreography and performance may create an environment in which students can examine how their physical and psychological selves merge." 2 In summary, I return to some earlier questions: What are we teaching our young adolescent girls about women and what women are capable of doing? As educators, how are we either encouraging, or discouraging choreography that objectifies or trivializes women?…”
Section: Discussion and Strategiesmentioning
confidence: 98%
“…A literatura nacional e internacional tem registrado debates consistentes sobre gênero, dança, arte e educação (BOND, 1994;CLARK, 2004;DILS, 2004;STINSON, 1998STINSON, , 2005RISNER, 2007;QUINTANILHA, 2016;LESSA;TORTOLLA, 2015). Esses estudos têm apontado tanto para algumas possíveis situações de ensino-e-aprendizagem onde se perpetua a Conforme Sanderson (2001), Fisher (2007), Risner (2009) e Holdsworth (2013), muitas vezes, mesmo com a melhor das intenções, os esforços para fazerem meninos participarem de aulas de dança acabam por perpetuar códigos culturais sem questionamento.…”
Section: Gênero Dança E Educaçãounclassified