Considering Creative Activity in Institutional Repositories: An Exploration of Faculty Perceptions

Lambaria, Kate

doi:10.7710/2162-3309.2312

Cited by 4 publications

(3 citation statements)

References 16 publications

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“…The transformation of inner experience is implemented in the form of painting, sculpture, and others. Although it manifests itself in a variety of disciplines that manifest in different ways in art, it is likely to benefit financially from fine arts in popular culture (Lambaria, 2020). The Guyub Trino group took the initiative to create an exhibition, this is to harmonize the relationship between artists and how to share with others.…”

Section: Data Presentation and Discussionmentioning

confidence: 99%

“Guyub Trisno” Fine Art Exhibition: Donation and Recovery of The COVID-19 Pandemic

2023

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A pandemic is like a mirror that shows us the realities of life (Teng & Margaret, 2020). This fact of life is the importance of doing for humanity as did the artists of Trisno Guyub’s members. They initiated a joint exhibition for donations and recovery from the Covid-19 pandemic. This exhibition was attended by 118 artists and exhibited around 200 works of art, paintings and sculptures. The first purpose is an effort to share and the second is so that artists can fulfill their artistic expression. This study uses a qualitative method in the form of an explanation of the pandemic condition and how a group of Guyub Tresno conducts exhibition efforts as one of the recovery efforts. The pandemic period in various fields experienced significant social and economic changes in society. Life is relatively difficult and efforts to maintain and develop the arts continue. Artists generally focus on how to create works according to their intuition. Meanwhile the strategy of how the work can be distributed with a certain dowry during the pandemic is also relatively difficult. This also applies to other disadvantaged groups of people, namely orphans of course. Those experiencing the same problem may be more concerned. The limitations of children who have lost their parents as the foundation of life and learning to live are gone. Meanwhile, this happens to artists who are in a state of suspended animation. This exhibition is one of the positive forums for an honorable life and ways to share with others. The aim of this exhibition is recovery (Farah & Nasution, 2020) together with the way artists share with fellow artists and orphans. It is hoped that it can contribute to awakening the creative process of artists and can ease the burden on orphans affected by the Covid-19 Pandemic.

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Section: Data Presentation and Discussionmentioning

confidence: 99%

“Guyub Trisno” Fine Art Exhibition: Donation and Recovery of The COVID-19 Pandemic

2023

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“…In a separate survey, the author asks IR staff about cooperation with art departments for deposits, policies for deposits, use of metadata, and types of open access available to those who add materials. In an interview survey of fine arts faculty, Lambaria (2020) studies what helped and/or hindered faculty in depositing their work in an IR. The article highlights faculty comments regarding benefits, concerns, and expectations related to adding their work to IRs.…”

Section: Literature Reviewmentioning

confidence: 99%

Impact of an Institutional Repository on Viewers’ Experiences of a Student Art Exhibition

Watson

Dworak

2022

Journal of Librarianship and Scholarly Communication

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Introduction: Since 2014, Boise State University’s institutional repository (IR) has included artwork from Bachelor of Fine Arts (BFA) exhibitions. This paper explores how the experience of viewing artwork at an in-person BFA exhibition differs from that of viewing an online representation of it, makes recommendations to increase viewer engagement with online representations of artwork, and suggests ways that online exhibitions can enhance in-person viewing. Method: The authors conducted two surveys, one of in-person exhibition attendees and one of online exhibition viewers. Fixed-answer results were analyzed quantitatively, whereas an inductive qualitative coding process was used to analyze survey comments. Results: In-person participants were more likely to view all the artwork, spend more time at the exhibition, and view individual artwork for longer. Online participants were more likely to view artists’ statements. Online survey participants who attended the in-person exhibition preferred the in-person exhibition. Discussion: Results point toward a need to increase online viewers’ engagement with exhibition artwork, many of them centered around improving the usability of the IR interface. Finally, several benefits of the online environment are noted. Conclusion: Although the online representation of the art exhibition in the IR is not a complete replacement for the in-person exhibition, it is a representation that the authors believe can positively influence a viewer’s experience of the BFA exhibition, whether they have viewed the in-person exhibition or not. Respondents’ comments in both surveys provided suggestions for improving the two exhibitions, as well as insights into how IR exhibitions enhance the in-person exhibition experience.

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“…She identified concerns related to retaining ownership of the work, copyright, collaborative works, and investing time in depositing materials. 9 Goals of having a green open access model help in bringing down journal subscription costs and bring equity to access to research have not materialized.…”

Section: Changes In Philosophy Regarding Institutional Repositoriesmentioning

confidence: 99%

It Takes a Village: Populating the Institutional Repository with Performing Arts Content

Shelley

2020

Music Reference Services Quarterly

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Managing an institutional repository is not a project in its own right: rather, it is an operational service that involves conversations with faculty, students, and other content providers. However, once those stakeholders decide that the repository is a good, stable, discoverable home for their work, there are projects involved in populating the repository. This article presents a case study of how the author, a music librarian and institutional repository manager at Illinois State University, approached adding thousands of items from the Wonsook Kim College of Fine Arts into the institutional repository, ISU ReD: Research and eData.

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Considering Creative Activity in Institutional Repositories: An Exploration of Faculty Perceptions

Abstract: This article underwent fully-anonymous peer review in accordance with JLSC's peer review policy.

Cited by 4 publications

References 16 publications

“Guyub Trisno” Fine Art Exhibition: Donation and Recovery of The COVID-19 Pandemic

“Guyub Trisno” Fine Art Exhibition: Donation and Recovery of The COVID-19 Pandemic

Impact of an Institutional Repository on Viewers’ Experiences of a Student Art Exhibition

It Takes a Village: Populating the Institutional Repository with Performing Arts Content

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