Conserving Italian World Heritage Sites Through Live Music Events: Exploring Barriers and Opportunities

Melpignano, Claudia; Azara, Iride

doi:10.3727/152599519x15506259855788

Cited by 5 publications

(1 citation statement)

References 38 publications

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“…Oliveira (2019) also views 'aesthetic cosmopolitanism' as disposing the contemporary consumer towards new aesthetic and artistic experiences, and places are rapidly developing creative experiences to cater for this demand. Melpignano and Azara (2019) see the production of festivals and live events at non-traditional venues as confirmation of the increasing importance of creative tourism in attracting those tourists who seek entertainment as a form of distinction. also argue that creativity is essential for the sustainability of intangible heritage.…”

Section: From Cultural To Creative Tourismmentioning

confidence: 99%

Rethinking Cultural Tourism

Richards¹

2021

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General rightsCopyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. vii Contents Acknowledgements viii Preface x 1 Cultural tourism as a dynamic social practice 1 2 Actors in cultural tourism practices 19 3 The changing contexts of cultural tourism 49 4 The consequences of cultural tourism practices 87 5 New rituals and the dynamics of cultural tourism practices 127 6 Emerging research agendas in cultural tourism 161creative tourism, photography, gastronomy and eventification, which are often manifested as bundles of practices -in 'new urban tourism', for example. In the final chapter we look towards the future, sketching emerging research agendas relating to a practice approach. We also pay attention to the issue of interrupted practices: drawing on the experience of the Covid-19 pandemic, which suggests the future of cultural tourism might not be so routine as suggested by traditional practice analysis.The structure of the text is shown in Figure 1.1, with a progressive focus on different elements of the cultural tourism practice, from actors in Chapter 2, to the contexts of practices in Chapter 3. The interaction of actors and context in the practice serve to generate consequences or effects, which are analysed in Chapter 4. One of the important consequences is the development and maintenance of the practice itself, which are dealt with in the context of Collins' interaction ritual in Chapter 5.

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Section: From Cultural To Creative Tourismmentioning

confidence: 99%