different from their mothers, and which is often at least more easily represented by their fathers who do get outside the house ' (p. 187).Beyond the analysis she offers, Walkerdine's account is generative. Written before The Spice Girls rose to huge popularity with little girls and Cleopatra (a black teen girl singing group from Manchester) amid great hype gained instant British popstar status, nevertheless the ideas feel relevant, if clearly in need of elaboration in relation to new conditions. The specificity of the focus on white, working-class girlhood and of British readings of US material are acknowledged, while the analysis of the feminization of the working class is clearly informed by analyses of that of black people through colonization and its scientific apologists (including psychology). For the therapeutically inclined the book offers evidence of how the social produces and then inhabits the psychic, such that neither can be considered alone; for the cultural analyst, it speaks of how analysis of texts cannot dispense with readers, nor can readers be theorized except in relation to the texts they read. For feminist psychologists I see this book as offering an accessible teaching tool that introduces and exemplifies a mode of analysis that not only engages accounts of subjectivity with politics, and class with gender, but above all makes its readers remember their own gendered and classed histories in new and invigorated ways. REFERENCE Barker, M. (1989) Comics. Manchester: Manchester University Press.