Conrad Paumann and the evolution of solo lute practice in the fifteenth century†

Minamino, Hiroyuki

doi:10.1080/01411898608574570

Cited by 2 publications

(1 citation statement)

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“…The situation of music education in the Middle Ages and the ideology of musical aesthetics at the time, mentioned in the preface, also contributed to the development of the pipe organ. By the late Middle Ages (early Renaissance), Conrad Paumann and his unusual method of composing pipe organ music, the auxbourdon method, had become one of the hallmarks of pipe organ music [14].…”

Section: The Development Of the Pipe Organ And Medieval Church Music ...mentioning

confidence: 99%

A Two-Way Choice: The Medieval Pipe Organ and the Development of Medieval Church Music

Zheng

2024

CHR

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The pipe organ during the medieval period played a significant role in religious ceremonies and worship. During this time, the pipe organ was the primary instrument used in churches and cathedrals across Europe. Organ music of the medieval period was characterized by its solemnity, grandeur, and religious significance. This paper explores the intricate relationship between the medieval pipe organ and the development of church music during the medieval period. It examines the historical background, construction, religious significance, and evolution of the pipe organ alongside medieval church music and music education. This paper discusses the symbiotic connection between the advancement of the pipe organ and the education in medieval church music, highlighting the role of cultural, historical, and socio-political factors in shaping this relationship. Additionally, it explores the significance of the "Codex Faenza," a renowned collection of medieval instrumental works, in understanding the interplay between the pipe organ and medieval religion. Overall, the abstract underscores how the pipe organ served as more than a musical instrument; it acted as a cultural symbol, facilitating identity expression, cultural exploration, religious dissemination, and the display of power in medieval Europe.

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Section: The Development Of the Pipe Organ And Medieval Church Music ...mentioning

confidence: 99%

A Two-Way Choice: The Medieval Pipe Organ and the Development of Medieval Church Music

Zheng

2024

CHR

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The Spanish plucked viola in Renaissance Italy, 1480-1530

Minamino

2004

Early Music

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Conrad Paumann and the evolution of solo lute practice in the fifteenth century†

Cited by 2 publications

References 11 publications

A Two-Way Choice: The Medieval Pipe Organ and the Development of Medieval Church Music

A Two-Way Choice: The Medieval Pipe Organ and the Development of Medieval Church Music

The Spanish plucked viola in Renaissance Italy, 1480-1530

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