2021
DOI: 10.1016/j.ijdrr.2020.102005
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Connecting heritage, vulnerabilities and capacities through a participatory game

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Cited by 6 publications
(3 citation statements)
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“…An overview of serious games for DRR can be found in Solinska-Nowak et al (2018), with some additional games listed in Abad et al (2020). Recently, board games such as the RAMSETE series, inSIGHT and DisCoord, have been designed and used to generate new knowledge about DRR from the gameplay itself (Abad et al, 2020; Chmutina et al, 2021; Delima et al, 2021). The board game is then considered as a framing tool which facilitates the discussions and the co-creation of solutions (Abad et al, 2020; Delima et al, 2021).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…An overview of serious games for DRR can be found in Solinska-Nowak et al (2018), with some additional games listed in Abad et al (2020). Recently, board games such as the RAMSETE series, inSIGHT and DisCoord, have been designed and used to generate new knowledge about DRR from the gameplay itself (Abad et al, 2020; Chmutina et al, 2021; Delima et al, 2021). The board game is then considered as a framing tool which facilitates the discussions and the co-creation of solutions (Abad et al, 2020; Delima et al, 2021).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…Recent literature on cultural heritage [1] emphasises the necessity to involve local communities in managing, planning, and preserving the local cultural heritage, as only by recognising the cultural heritage values, local communities can express and raise awareness of its meaning and importance to them. Evidently, the feeling of ownership and of proudness that they develop in this way is further reflected in a sense of responsibility for the heritage itself, regardless of its nature as tangible or intangible.…”
Section: Introductionmentioning
confidence: 99%
“…When it comes to digital cultural heritage productions, involving such a broader range of stakeholders in their co-creation is paramount if one wants to achieve this same sense of ownership, belonging and responsibility with respect to heritage that the literature on CH speaks about [4]. Such a more inclusive and co-creative approach to digital development will not only create awareness of local heritage services and processes but will also facilitate an innovative culture around such heritage, help support economic growth around it to reduce unemployment and enable the social inclusion of minorities [1,2,5]. Providing the local people a voice through digital mediation, for example by letting their stories related to a specific heritage site be told or by reinterpreting it through the lens of their cultural perspective, help address vulnerabilities that might be rooted in political decisions, social systems, or unequal distribution of power.…”
Section: Introductionmentioning
confidence: 99%