Connaissance de Baudelaire

Coffman, Stanley K.; Peyre, Henri

doi:10.2307/40091317

Cited by 3 publications

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“…In many instances the militia performed as well as the federal troops and carried out orders without hesitancy, but this was not always the case. 22 Militiamen of West Virginia and Pennsylvania refused to oppose the strike and the 16 th Pennsylvania National Guard even crossed the line and joined the strikers. 23 Conversely, other militia units responded with great hostility toward the workers.…”

Section: General William T Sherman and Secretary Of War William Belkmentioning

confidence: 99%

“…Senator Stephen Mallory II (Florida) took particular issue with Section 24 and declared that "the measure is disingenuous," because "under the guise of being a scheme for the promotion of the efficiency of the militia, it 20 deliberately declares that a certain body of men, to be called national volunteers, are a part of the militia," which the senator believed violated constitutional provisions. 22 Secretary Root and his Senate allies withdrew Section 24 in order to ensure passage, and the Senate passed the bill in January 1903. 23 This law designed "to increase the efficiency of the militia," effectively became the Militia Act of 1903, commonly referred to as the "Dick Act.…”

Section: ***mentioning

confidence: 99%

“…20 dropped from the guard, whether they desire it or not." 22 Of course, such an order placed a great strain on the National Guard's already low manpower numbers, but the federal government hoped to avoid a scenario where entire families would become the government's public charge if a guardsman died in combat. So, when the president called the Guard into service for the First World War, the Guard was in a state of "reorganization and readjustment."…”

Section: Hardship and Tensionmentioning

confidence: 99%

“…27 Within months of the declaration of war, the National Guard became part of the American Expeditionary Force. However, due to discharges and resignations 22 "Guard to Drop Married Men," New York Times, April 12, 1917. 23 Roster of the Illinois National Guard, 1917, ix.…”

Section: Accordingly Woodrow Wilson and Congress Decided To Utilize mentioning

confidence: 99%

“…Similarly, some important scholarship examines the racial components of the Johnson's work also examines the ways in which the militia and National Guard appealed to black Americans' conceptions of virtue and civil service. 22 These works establish a basis for study regarding the National Guard's racial components during its transformative period, and when combined with gender studies, offer a compelling argument regarding the Guard's recruitment and appeals to duty and identity. governments utilized "experts" to oversee and exert political, economic, and military control over colonized peoples.…”

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confidence: 99%

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America's Progressive Army: How the National Guard grew out of Progressive Era Reforms

Margis

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Section: General William T Sherman and Secretary Of War William Belkmentioning

confidence: 99%

Section: ***mentioning

confidence: 99%

Section: Hardship and Tensionmentioning

confidence: 99%

Section: Accordingly Woodrow Wilson and Congress Decided To Utilize mentioning

confidence: 99%

mentioning

confidence: 99%

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America's Progressive Army: How the National Guard grew out of Progressive Era Reforms

Margis

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Le temps baudelairien et la fuyance de l’art romantique: entre tempus et aeternitas

Spencer

2009

Neophilologus

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Heavily influenced by German aesthetic ideas with respect to the transcendental perception of the artwork, Baudelairian aesthetics, which seeks to divulge the ironic fissures embedded at the core of romantic art articulated around the inescapable dialectic between self-creation and self-destruction, would seem to posit the ironic disaggregation of the aesthetic object, 'defabricated' in the moment of its fabrication. At one and the same time an affirmation and an indictment of the powers of Art in its defiance of the ravages of Time, Baudelaire's works would seem ironically to proclaim the victory of the artist at the very moment of his capitulation to the enemy. We propose to examine the manner in which German transcendental aesthetics contributes towards the fundamental ambivalence of the poet with respect to Time, to elucidate the manner in which the demiurgic poet finally succeeds in transmuting his defeat in the face of the disintegration of his work into victory by means of the absolute control exerted by the artist over the kinetic chaos of the aesthetic object, suspended, like Zeno's arrow, in its eternal impetus towrds self-realization.

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Apostasy Apostasized: The Effects of Censorship and Self-Censorship on Baudelaire's "Le Reniement de saint Pierre"

Olmsted¹

2007

ncf

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For the 1857 Fleurs du mal Baudelaire restaged earlier poetry to suit his changed religious and political views. "Le Reniement de saint Pierre," originally a blasphemous challenge to both institutional Christianity and the idealistic Christian socialism of 1848, became part of Baudelaire's "douleureux programme" of dramatizing evil at once sympathetically and judgmentally. Partly shielded from the censors by his formal choice of dramatic monologue, Baudelaire used context and paratext to ensure that the apparently lyric expression of religious apostasy and militant politics would appear symptomatic of "l'agitation de l'esprit dans le mal." Censorship, both self- and state-imposed, motivated a poetic revision that achieved deniability of the very blasphemy the poem still affirmed.

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Connaissance de Baudelaire

Cited by 3 publications

References 0 publications

America's Progressive Army: How the National Guard grew out of Progressive Era Reforms

America's Progressive Army: How the National Guard grew out of Progressive Era Reforms

Le temps baudelairien et la fuyance de l’art romantique: entre tempus et aeternitas

Apostasy Apostasized: The Effects of Censorship and Self-Censorship on Baudelaire's "Le Reniement de saint Pierre"

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