Conflict Colors

Moon, Grace

doi:10.1080/17547075.2018.1509557

Cited by 3 publications

(2 citation statements)

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“…Colour is a system of representation thus it is related with the viewer’s cultural and psychological experiences (Moon, 2018). In the Porto context, the colour was debated precisely because blue is not one of the colours in the city flag (Table 5).…”

Section: Discussionmentioning

confidence: 99%

Visual identity of cities: designers’ tools and meanings

Sarmento

Brito

2021

JPMD

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Purpose This paper aims to identify and compare the graphical shapes and meanings attributed to place/city by the designer/creative/author of a city visual identity (VI) and by the client and designer’s peers. Design/methodology/approach To identify and compare the graphical shapes and meanings attributed to place/city by the designer/creative/author of a city VI and by the client and designer’s peers. Findings This paper analysed the way the visual culture of different stakeholders influenced the process and the construction of the iconographic meanings. Secondly, this paper assessed how the design tools impacted the creative process in that specific context. Practical implications A demanding involvement of more participants in the design process can be worthy for a VI outcome. Visual identity of a city is both designer’s creative as a political process. The several aesthetical options decisions implied adaptation, trade-offs and negotiations. Originality/value This research explains how the design tools and forms were used in the creative process of designers when conceiving the VI of a place. This research also reveals how a design work can have an effective impact on the sensory qualities emanating from city brands which are recognized by tourists and citizens. The consideration of the designer’s tools makes a relevant contribution to understand some underlying procedural issues.

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