2016
DOI: 10.1016/j.esp.2015.08.003
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Configuring image and context: Writing ‘about’ pictures

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Cited by 13 publications
(10 citation statements)
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“…Although the twofold aim of description and discussion might seem to lend itself to some kind of general-specific macrostructure (in this case, realised in terms of first context, then description), or perhaps a specific-general structure (starting from the image and moving to a commentary encompassing aspects of its background), this does not seem to be usual among art writers. As Swales (2016) shows, what seems to be typical is a kind of "dialectical tacking" (Geertz 1980: 103) between the image, on the one hand, and the background, on the other. Regarding move structure, Swales's own analysis of the SIA identifies this zigzagging between image and background as perhaps the characteristic hallmark of art writing for a general public.…”
Section: Theoretical Backgroundmentioning
confidence: 99%
See 1 more Smart Citation
“…Although the twofold aim of description and discussion might seem to lend itself to some kind of general-specific macrostructure (in this case, realised in terms of first context, then description), or perhaps a specific-general structure (starting from the image and moving to a commentary encompassing aspects of its background), this does not seem to be usual among art writers. As Swales (2016) shows, what seems to be typical is a kind of "dialectical tacking" (Geertz 1980: 103) between the image, on the one hand, and the background, on the other. Regarding move structure, Swales's own analysis of the SIA identifies this zigzagging between image and background as perhaps the characteristic hallmark of art writing for a general public.…”
Section: Theoretical Backgroundmentioning
confidence: 99%
“…In this paper, I will use the general principles of genre analysis (Bhatia 2004, Swales 1990, and the previous work by Swales (2016) to build a description of the SIAs intended for primary school teachers. From the general principles of genre analysis (Swales 1990, Bhatia 2004, it would be expected that these texts will bear some kind of family resemblance to the SIAs analysed in Swales (2016), but that their slightly different communicative purpose will condition their content and structure in different ways. My analysis is complemented with an overview of the different types of activity proposed with a view to enhancing children's experience of art.…”
Section: Theoretical Backgroundmentioning
confidence: 99%
“…In a recent article published in English for Specific Purposes, I used several instances of the first person in the body of the article (Swales, 2015). After the article had been accepted -after the usual two tough rounds of reviews -I decided to challenge the orthodoxy by submitting this biostatement: I officially retired from the University of Michigan in 2007 as Professor Emeritus of Linguistics; although I continue to be research-active, as hopefully this article demonstrates.…”
Section: The Biodata Puzzlementioning
confidence: 99%
“…As Swales, who is professor teaching ESP in England and America for many years said, although majority of "ESP courses are designed to help their customers to survive and succeed in an academic environment,…… at a training level, practice courses will no doubt benefit students in both their academic fields and their future work." [2]. Back in the 1996, Liu Ruiqing also said ESP would be the main trend in college English in 21 Century [3].…”
Section: The Necessity Of the Practice Courses In In Esp Learning 21mentioning
confidence: 99%