Abstract:In this article, I explore how Islam is configured in two creative universes that have recently affected the cultural and political scene in Norway. I compare the enactment in Oslo (2019) of Disgraced by the American playwright Ayad Akhtar to parts of the artistic project Heisann Montebello (2015–2017) by the Norwegian rap duo Karpe. In both fictional universes, references to Islam, Muslims, xenophobia, racism, terror, and politics of integration are paramount. It is therefore significant that major cultural i… Show more
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