Theatre and Phenomenology 2017
DOI: 10.1057/978-1-137-53052-3_8
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Conclusion: Lights Up on Manual Philosophy

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“…Dance and performance scholars increasingly use phenomenology to articulate their practice (Fraleigh, 1987; Kozel, 2007; Parviainen, 1998; Sheets-Johnstone, 2015) or expand the field of performance analysis (Garner, 1994; Johnston, 2017). However, when it comes to the wide deployment of phenomenology as an analytical model in the performing arts, a rigorous qualitative research method seems to be missing or remains underdeveloped.…”
Section: Navigating Theory: Dichotomies Methods and Interdisciplinary...mentioning
confidence: 99%
“…Dance and performance scholars increasingly use phenomenology to articulate their practice (Fraleigh, 1987; Kozel, 2007; Parviainen, 1998; Sheets-Johnstone, 2015) or expand the field of performance analysis (Garner, 1994; Johnston, 2017). However, when it comes to the wide deployment of phenomenology as an analytical model in the performing arts, a rigorous qualitative research method seems to be missing or remains underdeveloped.…”
Section: Navigating Theory: Dichotomies Methods and Interdisciplinary...mentioning
confidence: 99%