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2016
DOI: 10.3389/fpsyg.2016.01753
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Computational Psychometrics Meets Hollywood: The Complexity in Emotional Storytelling

Abstract: Expressions of emotions are pervasive in media, especially in movies. In this article, we focus on the emotional relationships of movie characters in narrative thought and emotional storytelling. Several studies examine emotion elicitation through movies, but there is a gap in scientific literature and in the practice to quantitatively consider emotions among the characters of a movie story, which in turn provide the basis of spectator emotion elicitation. Some might argument that the ultimate purpose of a mov… Show more

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Cited by 4 publications
(5 citation statements)
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“…Some authors dealing with textual narrative proceed manually, possibly because they focus on certain classes of actions, semantically speaking: one character supporting another [32], physical Extraction and Analysis of Fictional Character Networks: A Survey 25/75 encounters [108], actions that influence the development of the story [259]. In [55], Cipresso & Riva are interested in identifying the interactions between movie characters according to four basic emotions: anger, fear, sadness and joy. For this purpose, they rely on a survey conducted over a sample of eleven persons watching the movie and detecting these interactions manually.…”
Section: Direct Actionsmentioning
confidence: 99%
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“…Some authors dealing with textual narrative proceed manually, possibly because they focus on certain classes of actions, semantically speaking: one character supporting another [32], physical Extraction and Analysis of Fictional Character Networks: A Survey 25/75 encounters [108], actions that influence the development of the story [259]. In [55], Cipresso & Riva are interested in identifying the interactions between movie characters according to four basic emotions: anger, fear, sadness and joy. For this purpose, they rely on a survey conducted over a sample of eleven persons watching the movie and detecting these interactions manually.…”
Section: Direct Actionsmentioning
confidence: 99%
“…The most widespread method is direct annotation, which consists for the authors in annotating by themselves the narrative they want to study, e.g. [32,136] for novels, [154,168] for myths, [170,228] for plays, [55,248] for movies, and [21,267] for TV series. Opting for such a manual approach can be due to technical limitations, e.g.…”
Section: Overview Of the Extraction Processmentioning
confidence: 99%
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“…The “extreme” parachutists provided a backdrop and a small plot link. The focus was on drama, a typical example of “emotional storytelling” in mass-market movies ( Cipresso and Riva, 2016 ). Drama, not activity, is the defining feature.…”
Section: Contextmentioning
confidence: 99%
“…Often times, it is important to study such complex systems from a multidisciplinary perspective 5 . Other examples of multidisciplinary approaches include the use of complex systems approach to evaluate emotions in Hollywood 6 and Brain computer interfaces 7 .…”
Section: Introductionmentioning
confidence: 99%