2017
DOI: 10.1073/pnas.1707450114
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Competing English, Spanish, and French alabaster trade in Europe over five centuries as evidenced by isotope fingerprinting

Abstract: SignificanceGypsum alabaster in medieval artwork equaled or even surpassed the importance of marble for religious sculptures and effigies. Based on isotope fingerprints, a large corpus of European alabaster sculptures are linked to historical quarries and trade in the Middle Ages and Renaissance period. We demonstrate that English alabaster export was competed on the continent by the Spanish and by a particularly long-lived (>500 y) French Alpine trade. Our study reveals historical trade routes and transport, … Show more

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Cited by 5 publications
(13 citation statements)
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“…Bone, 2016; Picavet et al, 2018). Diffusion zones of building stones are defined by the location of their corresponding historical constructions and quarrying areas, revealing commercial activity (Kloppmann et al, 2017), stonemasonry workshops (Lozić, 2009) and communication routes (Santi et al, 2015). The size of these diffusion zones depends on the sociopolitical situation (e.g., political stability and administrative boundaries), as well as the geographic settings (e.g., relief configuration and presence of fluvial corridors) and the availability of adequate geological materials (e.g., D. A.…”
Section: Introductionmentioning
confidence: 99%
“…Bone, 2016; Picavet et al, 2018). Diffusion zones of building stones are defined by the location of their corresponding historical constructions and quarrying areas, revealing commercial activity (Kloppmann et al, 2017), stonemasonry workshops (Lozić, 2009) and communication routes (Santi et al, 2015). The size of these diffusion zones depends on the sociopolitical situation (e.g., political stability and administrative boundaries), as well as the geographic settings (e.g., relief configuration and presence of fluvial corridors) and the availability of adequate geological materials (e.g., D. A.…”
Section: Introductionmentioning
confidence: 99%
“…Both used an alabaster described as “covered with distinctive network of grey veins around 2 mm thick and resembling blood vessels” [ 1 ] ( Fig 2A ). We make use of the proven capacity of Sr, S and O isotope fingerprints to discriminate historical European alabaster deposits [ 19 21 ] to verify this intriguing resemblance, to test the provenance of the material used by both the Master of Rimini and by Riemenschneider, and, ultimately, to provide new evidence to the identity of the Master of Rimini and the location of his workshop by identifying his supply chains. We then confront our geochemical results with the rare written medieval sources on artwork of the Rimini group that we have investigated in some more detail, going back to some of the original manuscripts.…”
Section: Introductionmentioning
confidence: 99%
“…87 Sr/ 86 Sr for artwork and Franconian quarries. For comparison: principal deposits previously identified to have delivered alabaster for 14 th to 16 th century sculpture in W Europe [ 19 21 ], renormalised to V-CDT. R-W: Riemenschneider and workshop .…”
Section: Introductionmentioning
confidence: 99%
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“…As variações existentes nas razões entre os isótopos de estrôncio (razão 87 Sr/ 86 Sr) constituem excelentes indicadores de processos geoquímicos e são utilizados com frequência em estudos hidrogeológicos (BRENOT et al 2008, PETELET-GIRAUD et al 2016, SANTONI et al 2021, forenses (AGGARWAL et al 2008, WEST et al 2009, WEBB-ROBERTSON et al 2012), arqueológicos (LAFFOON et al 2012, WILHELMSON & AHSLTROM 2015, KLOPPMANN et al 2017) e de migração de espécies a partir de hábitos alimentares (CHENERY et al 2010, BRENNAN et al 2014, VAUTOUR et al 2015.…”
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