Comparative acoustical and psychoacoustical analyses of gamelan instrument tones.

Abstract

The comparative acoustical and psychoacoustical elements of the Javanese gamelan were studied with a focus on tuning, vibrational characteristics and associated per ceptual effects. In addition to relating acoustical, perceptual, and musical frameworks to each other, we seek to clarify some common misconceptions about tuning modes, scales, and the assignment of pitch to metallophones which have inharmonic spectra. We found that the inharmonic modes of the spectra of the bars of the gamelan instru ments saron demung, saron barung, and saron peking are described well by the standard physical theory of rectangular bars. The makers have tuned the bars by shaping so that harmonic partials also appear. The frequencies of the scale of the seven measured bars of each instrument (Low 6, Middle 1, 2, 3, 5, 6, High 1) are fit perfectly by an ex ponential function. Results of perceptual experiments show that, although many octave mismatches occur, both Indonesian and Western subjects generally matched a pitch chroma. In judging small-cents deviations from equi-pentatonic tuning, we found one professional Indonesian musician of four who could reliably discern them. We argue that the paradox of three different pathets (modes) for equi-pentatonic tunings can be explained by differing distributions of chroma based on Markof chains of order 0, 1, 2 or higher and other imposed formulaic and hierarchical structures, which we call chromals.

Vibrational characteristics of Balinese gamelan metallophones

“…6 ) Other researchers have made some observations of the vibrational characteristics of gamelan metallophones, but most of these address either the properties of Javanese instruments, which do not have trapezoidal bars, or some aspect of the sound other than the vibrations of the bars themselves. 3,[7][8][9] In this Letter, we describe the vibrational characteristics of the Balinese gamelan metallophones and compare them to those of the glockenspiel.…”