¿Cómo se duerme a un bebé en la Amazonía? Apropiación del villancico chachapoyano Niño Manuelito como canto de cuna en varios grupos de la red Ucayali-Amazonas

Prieto Mendoza, Alejandro

doi:10.4000/jsa.22269

jsa

2023

DOI: 10.4000/jsa.22269

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¿Cómo se duerme a un bebé en la Amazonía? Apropiación del villancico chachapoyano Niño Manuelito como canto de cuna en varios grupos de la red Ucayali-Amazonas

Alejandro Prieto Mendoza

Abstract: Comment endormir un bébé en Amazonie ? Appropriation du chant chachapoyan Niño Manuelito comme berceuse chez plusieurs groupes du bassin Ucayali-Amazonas How to make a baby sleep in the Amazon? Appropiation of the Chachapoyan carol Niño Manuelito as a lullaby in several groups of the Ucayali-Amazonas network

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2024

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Cited by 2 publications

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Lullabies and Universality: An Ethnographic Review

Aubinet

2024

Cross-Cultural Research

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Lullabies are commonly described as a universal musical genre among humans and a likely source of insights into the origins of music. This study explores the validity of these claims through a critical analysis of the ethnographic literature, starting with a literature review based on the Standard Cross-Cultural Sample. Lullabies emerged as a “near universal” when defined broadly as any type of singing used to soothe children, but neither as a “near universal” nor a “statistical universal” when defined strictly as a specific category of infant-directed songs. As Indigenous Peoples from America presented more societies with few or no lullabies than other regions did, a second review focused on this area was conducted, highlighting three cases: (1) the absence of lullabies among certain Native American communities, (2) the historical diffusion of repertoires in the Circumpolar North, and (3) cross-cultural convergences and entanglements between musical genres on the Pacific Northwest Coast (complemented with corresponding examples from Polynesia). In conclusion, while the act of singing to soothe children is a near universal, it also presents significant cross-cultural variability. Perspectives for future research are discussed.

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Lullabies and Universality: An Ethnographic Review

Aubinet

2024

Cross-Cultural Research

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Arrullos wawae magütá

Prieto-Mendoza,

Santos-Angarita

2024

Mundo Amazon.

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Presentamos la transcripción, traducción y glosado de un total de seis arrullos wawae magütá en este artículo, cuatro recogidos por la Asociación Eware en el marco del Proyecto Integral de Atención a la Familia Indígena del Instituto Colombiano de Bienestar Familiar y dos documentados por Alejandro Prieto en el desarrollo de su tesis doctoral. Los wawae magütá son una protección cantada para los bebés, cuyo espíritu se encuentra en peligro al estar amenazados por los ngò̰o̰ ‘espíritus que dañan el bienestar’, ngaite ‘espíritus’ y animales con pòra fuerte, tales como el ngurukù ‘gallinazo’, airú ‘perro’, áí ‘tigre’ y woka ‘vaca’. Así, considerando estas amenazas, los arrullos wawae se cantan solo en inmediaciones del hogar y la chagra, o en sí en espacios seguros como el seno materno que carga y resguarda al bebé, y exclusivamente durante horas diurnas de la vida cotidiana, pues, de lo contrario, de cantarse en el monte o, en altas horas de la noche, el bebé corre peligro de ser cutipado.

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¿Cómo se duerme a un bebé en la Amazonía? Apropiación del villancico chachapoyano Niño Manuelito como canto de cuna en varios grupos de la red Ucayali-Amazonas

Cited by 2 publications

References 19 publications

Lullabies and Universality: An Ethnographic Review

Lullabies and Universality: An Ethnographic Review

Arrullos wawae magütá

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