2022
DOI: 10.1080/01436597.2022.2059462
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Communicating creativities: interculturality, postcoloniality and power relations

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Cited by 5 publications
(2 citation statements)
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“…She further maintains that this whole process is driven by race-based epistemologies, privileges Western scholarly canon, and marginalizes Indigenous scholars. For Demeter (2020) this notion is mainly defined by material and geopolitical inequities, socio-economic class differentials, publishing biases, and institutional elitism, while for R'boul (2022a) this notion accords primacy to Northern-Western epistemologies due to a belief that they produce universal knowledge (also see de Sousa Santos, 2021;R'boul, 2022b). Now, in this paper, I use geopolitics of knowledge production to refer to how global knowledge is (re)produced and (re)circulated by given scholars of a given race, in certain geographies of the globe as determined by particular knowledge politics and ideologies and as supported by specific knowledge infrastructure and by a specific Education, 2023, 18(1), pp.…”
Section: Introductionmentioning
confidence: 99%
“…She further maintains that this whole process is driven by race-based epistemologies, privileges Western scholarly canon, and marginalizes Indigenous scholars. For Demeter (2020) this notion is mainly defined by material and geopolitical inequities, socio-economic class differentials, publishing biases, and institutional elitism, while for R'boul (2022a) this notion accords primacy to Northern-Western epistemologies due to a belief that they produce universal knowledge (also see de Sousa Santos, 2021;R'boul, 2022b). Now, in this paper, I use geopolitics of knowledge production to refer to how global knowledge is (re)produced and (re)circulated by given scholars of a given race, in certain geographies of the globe as determined by particular knowledge politics and ideologies and as supported by specific knowledge infrastructure and by a specific Education, 2023, 18(1), pp.…”
Section: Introductionmentioning
confidence: 99%
“…Metaphoricality was assessed using a film metaphor identification program to assess cross-cultural communication skills in data content analysis. The literature [11] developed overlapping systems of exclusion and marginalization to examine the impact of folklore parameters on artistic expression and creativity in a cross-cultural context. The study examines how cultural differences in creative expression are accepted in cross-cultural experiences and the impact of unbalanced power relations on art.…”
Section: Introductionmentioning
confidence: 99%