2020
DOI: 10.1016/j.cognition.2020.104306
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Color associations in abstract semantic domains

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Cited by 17 publications
(19 citation statements)
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“…To do this, they selected one of the nine silhouettes defined by Stunkard et al [ 20 ] and chose to color it in one of the following hues: orange, yellow, red, gray or white. The orange color is associated with fear and anxiety; red with desire, hate and passion; yellow with happiness, joy and love; gray with depression and sadness; and white with neutrality [ 21 , 22 ]. They then rated on 10-point scales either none, one or more of the 20 emotional terms from the Geneva Wheel [ 23 , 24 ].…”
Section: Methodsmentioning
confidence: 99%
“…To do this, they selected one of the nine silhouettes defined by Stunkard et al [ 20 ] and chose to color it in one of the following hues: orange, yellow, red, gray or white. The orange color is associated with fear and anxiety; red with desire, hate and passion; yellow with happiness, joy and love; gray with depression and sadness; and white with neutrality [ 21 , 22 ]. They then rated on 10-point scales either none, one or more of the 20 emotional terms from the Geneva Wheel [ 23 , 24 ].…”
Section: Methodsmentioning
confidence: 99%
“…Since the 2010s, there has been an explosion in the number of papers exploring art forms using computational methods ([ 5 , 6 , 7 , 9 , 10 , 11 , 12 , 13 , 14 , 15 , 16 , 17 , 18 , 19 , 20 , 21 , 22 , 23 , 24 , 25 , 26 , 27 , 28 , 29 , 30 , 31 , 32 , 33 , 34 , 35 ]). This has been due to the more formal organisation of image-based datasets, and the large-scale use of neural-network- and data-science-based approaches for image analysis.…”
Section: Computation and Artmentioning
confidence: 99%
“…We again note that neural networks do not specifically extract color-based information from images, focusing instead on patterns of pixels and texture [ 8 ]. To ensure that our representations capture multiple aspects of artwork, we measure color information using a state-of-the-art transformation of colorspace that accurately captures human color perception (referred to as a perceptually uniform colorspace ) [ 26 , 35 ]. We use the comp-syn package to extract these color representations [ 27 ], where each artwork is represented by an eight-dimensional color-distributional vector.…”
Section: Wikiartvectors : Vectorisation and Feature Extractionmentioning
confidence: 99%
“…However, there are actually many factors that can influence human perception, and by conducting some psychological and physiological experiments, corresponding general rules can be established as a way to obtain more credible perceptual evaluations. Douglas et al [ 13 ] used a transformation of color space very similar to human color perception to measure color, and found that semantically similar words are similar in color distribution, providing a semantic based on metaphorical perception. By proposing a new approach to interpretation, these works provide some support for color perception research.…”
Section: Introductionmentioning
confidence: 99%