2021
DOI: 10.32920/ryerson.14668206.v1
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Codes of the North: difficulty in the origins of the Canadian avant-garde film

Abstract: This dissertation chronicles the formation of a Canadian avant-garde cinema and its relation to the tradition of art of purposeful difficulty. It is informed by the writings of George Steiner, who advanced a typology of difficult forms in poetry. The major works of Jack Chambers (The Hart of London), Michael Snow (La Region Centrale), and Joyce Wieland (Reason Over Passion) illustrate the ways in which a poetic vanguard in cinema is anchored in an aesthetic of difficulty. Such aesthetics enclose the various… Show more

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