Clip Art

Archer, Phil

doi:10.1162/lmj.2007.17.29

Cited by 21 publications

(2 citation statements)

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“…These could be attributed to the stronger role of industrial workers in the socialist narrative of self-management (in particular women) as well as in everyday reality and to the intertwining of work, leisure, welfare, factory and community life in socialism. 15 Industrial workers in the former Yugoslavia built local infrastructure and enhanced social standards with their investments. They contributed physically (with their own hands); they invested time, energy, skills and money (which was deducted from their wages).…”

Section: Discussionmentioning

confidence: 99%

Chiara Bonfiglioli, Women and Industry in the Balkans. The Rise and Fall of the Yugoslav Textile Sector

Vodopivec¹

2022

balkanologie

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Section: Discussionmentioning

confidence: 99%

Chiara Bonfiglioli, Women and Industry in the Balkans. The Rise and Fall of the Yugoslav Textile Sector

Vodopivec¹

2022

balkanologie

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“…For example, how can the interface or physical characteristics of the objects in Speculative Circuit be combined? The open circuit of the Bed of Nails lends itself to hybridisation and modifications, the wire frame and nail terminals providing the perfect patch system for crocodile clips and wires, a form of "clip art" as referred to by Phil Archer (Archer 2007). Patching may be live, or a procedural part of performance.…”

Section: Making For Radiomentioning

confidence: 99%

Speculative Sound Circuits

Richards

2018

Electronic Workshops in Computing

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Alternative approaches to electronic music through speculative sound circuits are discussed. These approaches borrow from emerging theories in speculative design and the work of designer/theorist Anthony Dunne. Dunne's post-optimal technological object is also discussed along with slow tech and the slow movement. George Brecht's Water Yam and the absurdist creative strategies of the Fluxus movement are seen as prototypes for speculative design. With particular reference to electronic music and speculative sound circuits, the instruments of Percy Grainger and Gijs Gieskes are considered. Speculative sound circuits are viewed as part of a broader theoretical framework in relation to critical making, as referred to by Garnet Hertz, John Cage's 'music of objects' and David Tudor's 'composing inside electronics'. Finally, a specific example of the author's work as Dirty Electronics, Making for Radio and Speculative Circuit, are offered up to illustrate speculative sound circuits along with spontaneous and intuitive approaches to circuit building, rapid prototyping strategies, and making as a processual part of performance. Indeterminate and chance-based music, models for extended instrumental techniques, and questions arising concerning physiologies in performance and human-machine interaction are also reflected upon. Speculative design. DIY electronic music. Sound circuit. Object-based. Objecthood. Musical instrument.

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The Cambridge Companion to Electronic Music

2017

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Clip Art

Cited by 21 publications

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Chiara Bonfiglioli, Women and Industry in the Balkans. The Rise and Fall of the Yugoslav Textile Sector

Chiara Bonfiglioli, Women and Industry in the Balkans. The Rise and Fall of the Yugoslav Textile Sector

Speculative Sound Circuits

The Cambridge Companion to Electronic Music

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