Abstract:Much of the interest and research in services marketing has focussed on the differences that exist between physical goods and services. Outcomes of these efforts have been numerous classification schemes designed to organize services according to common service characteristics. While several service typologies have been proposed, seldom are the service categorizations examined from a consumer's point of view. Furthermore, only a few service classifications have been empirically tested (Bowen, 1990;Hartman and … Show more
“…Fine arts and museums could be argued to be a durable service, as one can return to the service at a future point in time to re-examine or reconsume, that is a visitor can return at another point in time and view the same painting or exhibition, whereas live performing arts shows are people-oriented, intangible and perishable. Both could be argued to be experiential and emotionally stimulating (Addis and Holbrook, 2002;Stell and Donoho, 1996). As these issues have not been clearly canvassed in a services marketing forum, and given the relative paucity of performing arts research, this paper will focus on the performing arts and contain findings specific to this sector.…”
*Factors such as reduced government spending, increased competition from expanding entertainment markets and shrinking audiences have all placed excess pressure on the ability of performing arts organisations to make ends meet. Many performing arts organisations operate as not-for-profit organisations, so rely heavily on the combined efforts of corporate sponsors, government funds and ticket sales to support the organisation. In order to survive in the market economy, the current strategies need to incorporate a thorough understanding of the drivers of return purchase intent to maximise ticket sales in this setting. The purpose of this paper is to examine consumers' experience of a general performing arts experience to identify the predictors of positive repurchase intention so marketing efforts can focus on drawing consumers to return. Experiential service settings, such as the performing, arts are suggested to challenge more traditional service marketing and management theory that repurchase intention is driven by value, service quality and customer satisfaction alone. It is suggested that in an experiential setting a complex anthology of predictors including the need for affect and goal directed emotional attainment must be considered. Much of the research conducted in this setting approaches the field from an artistic discipline. In contrast, this research approaches the performing arts from a service marketing and management paradigm. By doing this, a set of services strategies applicable to the performing arts will become evident. Exploratory investigation was undertaken with 26 candidates. In-depth qualitative interviews, using open-ended questioning, were conducted to draw thick description of consumer opinion. The findings reported indicate that in this setting, functional factors, especially value and service qualities, are extremely important to candidates when deciding to repurchase. Factors such as emotional attainment and show experience, which have been the primary focus of current performing arts organisations' strategic focus, were found to play a lesser role in overall intent to repurchase. The paper identifies some conceptual target segments evolving from this research. Importantly, these findings are applicable to the performing arts but may have implications for other non-profit service organisations, such as fine arts and museums.
“…Fine arts and museums could be argued to be a durable service, as one can return to the service at a future point in time to re-examine or reconsume, that is a visitor can return at another point in time and view the same painting or exhibition, whereas live performing arts shows are people-oriented, intangible and perishable. Both could be argued to be experiential and emotionally stimulating (Addis and Holbrook, 2002;Stell and Donoho, 1996). As these issues have not been clearly canvassed in a services marketing forum, and given the relative paucity of performing arts research, this paper will focus on the performing arts and contain findings specific to this sector.…”
*Factors such as reduced government spending, increased competition from expanding entertainment markets and shrinking audiences have all placed excess pressure on the ability of performing arts organisations to make ends meet. Many performing arts organisations operate as not-for-profit organisations, so rely heavily on the combined efforts of corporate sponsors, government funds and ticket sales to support the organisation. In order to survive in the market economy, the current strategies need to incorporate a thorough understanding of the drivers of return purchase intent to maximise ticket sales in this setting. The purpose of this paper is to examine consumers' experience of a general performing arts experience to identify the predictors of positive repurchase intention so marketing efforts can focus on drawing consumers to return. Experiential service settings, such as the performing, arts are suggested to challenge more traditional service marketing and management theory that repurchase intention is driven by value, service quality and customer satisfaction alone. It is suggested that in an experiential setting a complex anthology of predictors including the need for affect and goal directed emotional attainment must be considered. Much of the research conducted in this setting approaches the field from an artistic discipline. In contrast, this research approaches the performing arts from a service marketing and management paradigm. By doing this, a set of services strategies applicable to the performing arts will become evident. Exploratory investigation was undertaken with 26 candidates. In-depth qualitative interviews, using open-ended questioning, were conducted to draw thick description of consumer opinion. The findings reported indicate that in this setting, functional factors, especially value and service qualities, are extremely important to candidates when deciding to repurchase. Factors such as emotional attainment and show experience, which have been the primary focus of current performing arts organisations' strategic focus, were found to play a lesser role in overall intent to repurchase. The paper identifies some conceptual target segments evolving from this research. Importantly, these findings are applicable to the performing arts but may have implications for other non-profit service organisations, such as fine arts and museums.
“…In addition, involvement is a multiaspect construct and has been defined and addressed differently by various scholars. It would thus be interesting to explore whether the results of this study would change if an alternative scale (Ruiz et al, 2007;Stell & Donoho, 1996) is used for website involvement.…”
Section: Limitations and Directions For Future Researchmentioning
This study outlines some of the important positive outcomes of enhancing e-retailing services through adding experiential benefits. It investigates how provision of experiential values by an online store improves involvement of customers in the eretailer's website. This paper also looks at the impacts of experiential values on the recently developed construct of perceived e-retailer's assistive intent and investigates whether this variable contributes to the enhancement of website involvement. Collecting data from 431 North American students through a survey on actual shopping experiences supports the overall model and the majority of the hypotheses. Findings confirm that esthetics, service excellence, and customer return on investment are effective experiential values in terms of improving e-retailer's assistive image and enhancing customers' involvement in the website.
“…Some researchers have developed service taxonomies based on consumer perceptions and more detailed service classifications (Bowen, 1990;Cunningham et al, 1997;Iacobucci & Ostrom, 1996;Licata & Mowen, 1997;Stell & Donoho, 1996). For instance, using empirical data from consumers, Bowen (1990) classified 10 services (e.g.…”
Section: Empirical Work On Classificationsmentioning
This study examined how customers perceived and classified a set of 12 self-service technologies (SSTs) based on multidimensional scaling. The authors describe first, how the classifications developed by Lovelock are perceived by consumers and then, how the individual SSTs map onto those classifications. Results of the study show that 67% of the variance in classification is explained by two dimensions of customization/standardization and separability/inseparability. The authors also propose a typology for the SSTs based on their groupings in the classification framework. The authors discuss the managerial implications of the findings and suggest directions for future academic research.
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