1992
DOI: 10.2307/2075407
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Class Attitudes and Ambiguous Aesthetic Claims

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Cited by 4 publications
(4 citation statements)
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“…As a result, these efforts produce what authors like Burri (2013) and Pyykkönen (2012) may refer to as cultural imperialism in which positive value or cultural legitimacy is attributed only to a narrow range of cultural expressions and the individuals who are able to appreciate them. These experiences support the view proposed by Pierre Bordieu under the concept of cultural capital that in each society not all modes and forms of cultural expression receive the same level of respect or value, but are rather organized by that society's hierarchal norms (Hill, 2004;Vromen, 1992). The use of terms such as "high culture", "popular culture", "indigenous culture" and "post-modern culture" are therefore troublesome, because beyond their surface role as descriptors, they also imbed implicit and sometimes explicit social exclusionary and normative markers of quality, virtue and value (Clements, 2006;Hill, 2004).…”
Section: 825cultural Diversitysupporting
confidence: 81%
“…As a result, these efforts produce what authors like Burri (2013) and Pyykkönen (2012) may refer to as cultural imperialism in which positive value or cultural legitimacy is attributed only to a narrow range of cultural expressions and the individuals who are able to appreciate them. These experiences support the view proposed by Pierre Bordieu under the concept of cultural capital that in each society not all modes and forms of cultural expression receive the same level of respect or value, but are rather organized by that society's hierarchal norms (Hill, 2004;Vromen, 1992). The use of terms such as "high culture", "popular culture", "indigenous culture" and "post-modern culture" are therefore troublesome, because beyond their surface role as descriptors, they also imbed implicit and sometimes explicit social exclusionary and normative markers of quality, virtue and value (Clements, 2006;Hill, 2004).…”
Section: 825cultural Diversitysupporting
confidence: 81%
“…These experiences support the view proposed by Pierre Bordieu under the concept of cultural capital that in each society not all modes and forms of cultural expression receive the same level of respect or value, but are rather organized by that society's hierarchal norms (Hill, 2004;Vromen, 1992). The use of terms such as "high culture", "popular culture", "indigenous culture" and "post-modern culture" are therefore troublesome, because beyond their surface role as descriptors, they also imbed implicit and sometimes explicit social exclusionary and normative markers of quality, virtue and value (Clements, 2006;Hill, 2004).…”
Section: Cultural Diversitysupporting
confidence: 81%
“…Appreciation of high culture, though it can be developed through education, is thought to depend to a large extent on one's social origins. Consequently, the gains that could be achieved by such programmes a priori is limited (Clements, 2006;Hill, 204;Vromen, 1992). As a result, these efforts produce what authors like Burri (2013) and Pyykkönen (2012) may refer to as cultural imperialism in which positive value or cultural legitimacy is attributed only to a narrow range of cultural expressions and the individuals who are able to appreciate them.…”
Section: Cultural Diversitymentioning
confidence: 99%
“…Early precedents for studies of photography as a social practice include Pierre Bourdieu's 1965 study of photography in French villages and cities. He approached photography as “an ordinary cultural practice [that is] cheap, technically simple to learn, and not formally encouraged” (Vromen :157) that could provide insights into changing norms, class relations, and identities (Bourdieu ).…”
mentioning
confidence: 99%