2005
DOI: 10.1111/j.1741-4113.2005.00115.x
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Class and Victorian Poetics

Abstract: In this essay, I consider three aspects of recent studies of working-class class poetry: the tasks and rewards of its recovery, the complexities of critical attempts to interpret "non-canonical" verse, and wider insights which have emerged from efforts to integrate such attempts into more traditional studies of nineteenth-century literature. Recovery has been necessary because most working-class poets could only hope to publish their work in broadside or periodical form, and few of their works have been reprin… Show more

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Cited by 3 publications
(1 citation statement)
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“…Viewed more positively, it is an innovation that facilitates Hamilton's political expression, and so is fundamental to the contrast her writing presents with familiar critical impressions of working-class women's poetry of the period, too often "brushed aside as apolitical and sentimental versification." 82 Her compound language, in short, again requires us to see textuality as inherent and not artificial to the genre of dialect poetry. Rather than an abandonment of the duty to embody ways of speech, the stylization of orality undertaken by Hamilton and other poets was a fertile creative act undertaken within the conditions of print culture, and capable of being adapted to multiple forms of identity and affiliation.…”
Section: Janet Hamilton's "Printit Mither Tongue"mentioning
confidence: 99%
“…Viewed more positively, it is an innovation that facilitates Hamilton's political expression, and so is fundamental to the contrast her writing presents with familiar critical impressions of working-class women's poetry of the period, too often "brushed aside as apolitical and sentimental versification." 82 Her compound language, in short, again requires us to see textuality as inherent and not artificial to the genre of dialect poetry. Rather than an abandonment of the duty to embody ways of speech, the stylization of orality undertaken by Hamilton and other poets was a fertile creative act undertaken within the conditions of print culture, and capable of being adapted to multiple forms of identity and affiliation.…”
Section: Janet Hamilton's "Printit Mither Tongue"mentioning
confidence: 99%