2012
DOI: 10.1111/j.1542-734x.2012.00805.x
|View full text |Cite
|
Sign up to set email alerts
|

Class Acts and Daredevils: Black Masculinity in Jazz Funeral Dancing

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
2
0

Year Published

2016
2016
2020
2020

Publication Types

Select...
2

Relationship

0
2

Authors

Journals

citations
Cited by 2 publications
(2 citation statements)
references
References 9 publications
0
2
0
Order By: Relevance
“…The significance of involving the community in the African American funeral ceremony dates to West African cultures that saw the death and burial as an important, public, elaborate, and lengthy social event (Atkins, 2012; Holloway, 2002). Today elaborate funerals demonstrating the deceased’s importance and worth are common especially for famous, well known people (Hope, 2010).…”
Section: Funerals or Cremationsmentioning
confidence: 99%
“…The significance of involving the community in the African American funeral ceremony dates to West African cultures that saw the death and burial as an important, public, elaborate, and lengthy social event (Atkins, 2012; Holloway, 2002). Today elaborate funerals demonstrating the deceased’s importance and worth are common especially for famous, well known people (Hope, 2010).…”
Section: Funerals or Cremationsmentioning
confidence: 99%
“…Historically, jazz funerals entailed a musical procession (also called a second line) from the place of the ceremony to the graveyard for a final send‐off. Today, they mostly take place in the city's streets after which the hearse and the procession of cars drives to a cemetery outside city limits (see Atkins ; Regis ).…”
mentioning
confidence: 99%