2017
DOI: 10.1016/j.jsv.2017.09.015
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Church acoustics: A state-of-the-art review after several decades of research

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Cited by 43 publications
(38 citation statements)
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“…By contrast, source location had relatively little effect on acoustic parameter values [33]. Girón et al summarised principal contributions to the acoustics of ancient occidental Christian churches in recent decades [34]. Manohare et al analysed the sound field characteristics of a large hollow stupa in an Indian Buddhist temple in Nagpur by means of an in situ measurement and simulation, and investigated the effects of these characteristics on religious activities [35].…”
Section: And Mourjopoulos Analysed Acoustic Properties For Ancientmentioning
confidence: 99%
“…By contrast, source location had relatively little effect on acoustic parameter values [33]. Girón et al summarised principal contributions to the acoustics of ancient occidental Christian churches in recent decades [34]. Manohare et al analysed the sound field characteristics of a large hollow stupa in an Indian Buddhist temple in Nagpur by means of an in situ measurement and simulation, and investigated the effects of these characteristics on religious activities [35].…”
Section: And Mourjopoulos Analysed Acoustic Properties For Ancientmentioning
confidence: 99%
“…Among Serbian local rulers, prince Lazar Hrebeljanović who autonomously ruled the territory around the Morava rivers, most prominently tended to continue the well-established tradition of the Nemanjić dynasty [2]. However, in that restless and unstable period, new political, economic and cultural centres arose and thrived in the land of prince Lazar and his successors [4]. This inspiring zest was also reflected in church architecture, which is nowadays referred to as the Morava architectural style.…”
Section: Culture-historical Context Of Building Lazarica Church In Krmentioning
confidence: 99%
“…Christian churches have been archaeoacoustically researched for the last few decades. The comprehensive literature overview of historical church acoustics [4] considers the acoustic analysis of mostly occidental Christian churches in Europe, Asia and South America, emphasizing the need for a multidisciplinary approach that also includes perceptual and cultural aspects of the aural experience. Besides the examination of the effect of occupancy [5], speech intelligibility [6,7], and the effect of interior architectural forms and materials [8][9][10], it is also important to acknowledge the multidisciplinary research of acoustic vessels inbuilt in some of the historic churches [11,12], as an equally valid expression of the acoustical intentions of the builders.…”
Section: Introductionmentioning
confidence: 99%
“…Churches are generally acoustically reverberant places due to both being large and being full of acoustically reflective materials. Many studies have shown that the room acoustic models in these large reverberant spaces are often unique, given the non-homogenous distribution of diffusing and absorbing materials [1][2][3]. Over the centuries, the long reverberation of churches has proved to enhance the listening of organ music emitted as well as hymns, thus increasing the sense of participation of the congregation [4,5].…”
Section: Introductionmentioning
confidence: 99%