Chronologie des grottes d'Arcy-sur-Cure (Yonne)

Leroi-Gourhan, Arlette

doi:10.3406/galip.1964.1238

Cited by 134 publications

(85 citation statements)

References 4 publications

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“…• Leroi-Gourhan 39 suggests that the change in posture is probably the main factor responsible for the morphogenetic development of the craniofacial skeleton, but also emphasizes the importance of the forces developed by mastication, which would play a vital role in the balance of the cephalic pole.…”

Section: Variations In Skull Base Morphology During Phylogenesis and mentioning

confidence: 99%

Variations in skull base morphology during phylogenesis and different hypotheses

Brondeau

2015

J Dentofacial Anom Orthod

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Section: Variations In Skull Base Morphology During Phylogenesis and mentioning

confidence: 99%

Variations in skull base morphology during phylogenesis and different hypotheses

Brondeau

2015

J Dentofacial Anom Orthod

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“…Making charcoal is therefore both contingent on and 7 The work of Tim Ingold is a clear exception, especially his 2012 essay and volume Perceptions of the Environment (2000). His more recent "Toward and ecology of materials" (2012) engages several of the ideas discussed here-his idea of "meshwork" is similar to the idea of "overlapping" presented here, and also alludes to a related but still distinct and rich tradition of study in France of material culture, techniques, and technical choices and behavior, including fascinating work by Leroi-Gourhan 1993[1964), Pierre Lemonnier (e.g. 2002;2016), and the journal Techniques and Culture until recently edited by Frederic Joulian.…”

Section: The Magic Ingredientmentioning

confidence: 99%

The charcoal forest: Ecology, aesthetics and the Anthropocene

Niles¹

2017

Preprint

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This article explores the significance of local forms of knowledge of the natural world, especially the role of this knowledge in cultural coherence and persistence through time, and its consequent significance to the intellectual challenges of the Anthropocene. The text examines the activity of a master charcoal-maker and forest-manager in Wakayama Prefecture, Japan, who works within a landscape recognized by the United Nations' Food and Agriculture Organization (FAO) as a Globally Important Agricultural Heritage System (GIAHS)-a place of special cultural and agroecological value. Drawing on theories of the evolution of knowledge and material culture studies, charcoal is seen as embodiment of particular understandings of the agencies of the natural world. Attention to the various stages in the production and use of charcoal sheds light on the structure of this knowledge, especially on the important areas in which qualities of one field of activity are transferred to or become essential to another. These "overlaps" link what otherwise appear to be disparate fields of activity into mutually constitutive elements of a whole. They shed light on the dynamics of cultural persistence and indicate the diversity of forms environmental knowledge; they can amplify understanding of the nature of the Anthropocene.

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“…That the many paleoart objects from the Châtelperronian of Grotte du Renne at Arcy-sur-Cure, south of Paris, were used by Neanderthals seems generally accepted now, although some archaeologists still have difficulties accepting that they also made them (Figure 10). They include not only perforated jewelry items, but also grooved pendants (Leroi-Gourhan and Leroi-Gourhan 1964) [117], which as Marshack (1991) [124] points out are not typical for the Aurignacian.…”

Section: Early Upper Paleolithic Paleoartmentioning

confidence: 99%

Pleistocene Paleoart of Europe

Bednarik¹

2014

Arts

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As in Australia, Pleistocene rock art is relatively abundant in Europe, but it has so far received much more attention than the combined Ice Age paleoart of the rest of the world. Since archaeology initially rejected its authenticity for several decades, the cave art of France and Spain and the portable paleoart from various regions of Europe have been the subjects of thousands of studies. It is shown, however, that much of the published information is unreliable and subjective, and that fundamental trends in the evidence have been misunderstood. In particular, the data implies that the paleoart of the Early Upper Paleolithic, the work of robust humans such as Neanderthals, is considerably more sophisticated and developed that that of more recent times. Thus, the European paleoart demonstrates that the teleological model of cultural "evolution" is false, which is to be expected because evolution is purely dysteleological. This is confirmed by the extensive record of pre-Upper Paleolithic European paleoart, which is comprehensively reviewed in this paper.

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Chronologie des grottes d'Arcy-sur-Cure (Yonne)

Cited by 134 publications

References 4 publications

Variations in skull base morphology during phylogenesis and different hypotheses

Variations in skull base morphology during phylogenesis and different hypotheses

The charcoal forest: Ecology, aesthetics and the Anthropocene

Pleistocene Paleoart of Europe

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