Chromatic framework for quantum movies and applications in creating montages

Yan, Fei; Jiao, Sihao; Iliyasu, Abdullah M.; Jiang, Zhengang

doi:10.1007/s11704-018-7070-8

Cited by 12 publications

(26 citation statements)

References 17 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…Both Yan et al's (MCQI-based) [39] and Wang's (NEQR-based) [40] chromatic frameworks for quantum movies (CFQM) relied on the stack-oriented strip formulation of the original QMF [38] to encode the multiple frames that make up the registers encoding the contents of their movies. Furthermore, all the security protocols [41], [42] and applications [39], [40], [43] emanating from the three models of quantum movies relied on manipulations to transform contents of the key, makeup or viewing frames that were originally formulated in Iliyasu's QMF. Moreover, the ability to accomplish security-based and general applications using the three models of quantum movies support the feasibility of their implementation when quantum computing hardware are developed for such purposes.…”

Section: Quantum Multimedia Processingmentioning

confidence: 99%

“…flickered) at some rate to create the illusion of motion. Over the past decades, the TV and movie industries have evolved from being mainly focused on entertainment into a mega industry worth billions of US Dollars [43]. Similarly, in efforts to meet the ever-increasing expectations of viewers, the need for and use of technologies in applications to stimulate viewership have continued to grow.…”

Section: Applications For Color Quantum Videosmentioning

confidence: 99%

“…Similarly, in efforts to meet the ever-increasing expectations of viewers, the need for and use of technologies in applications to stimulate viewership have continued to grow. As noted in [43], recently, subscription-based television (aka premium or Pay TV) has emerged to broaden the traditional TV screen and provide consumers with access to what they want, when they want it. These new models have behooved the need for multifaceted approaches to tease, stimulate, or convince consumers to watch or buy certain content [43].…”

Section: Applications For Color Quantum Videosmentioning

confidence: 99%

“…As noted in [43], recently, subscription-based television (aka premium or Pay TV) has emerged to broaden the traditional TV screen and provide consumers with access to what they want, when they want it. These new models have behooved the need for multifaceted approaches to tease, stimulate, or convince consumers to watch or buy certain content [43]. Among others, these overtures include trailers, montages, etc.…”

Section: Applications For Color Quantum Videosmentioning

confidence: 99%

“…Among others, these overtures include trailers, montages, etc. As defined via sources presented in [43], montages are ''film editing techniques that are tailored to convey the passage of time by editing its content into a sequence that condenses space, time, and information.'' Since they are intended to provide a statement regarding an aspect of the movie (a character, event, or plot), montages (together with trailers) provide a form of pre-feature entertainment [43].…”

Section: Applications For Color Quantum Videosmentioning

confidence: 99%

See 4 more Smart Citations

Roadmap to Talking Quantum Movies: a Contingent Inquiry

Iliyasu

2019

IEEE Access

Self Cite

View full text Add to dashboard Cite

Quantum computation and quantum information science have transmuted from classroom conjectures and demonstrations usually confined to the laboratory into exciting sub-disciplines with potential for profound impacts in information and communication security, device miniaturization, cosmology, Internet, and so on. Recent developments in both areas have further changed the landscape of future computing and information processing technologies. Encouraged by this, both fields have witnessed interests from professional bodies, notably, the Institute of Electrical and Electronics Engineers (IEEE) via the IEEE P7130 working group on standards for quantum computation as well as similar interests from big technology companies (Google, Microsoft, IBM, etc.) as well as those from national and regional (China, European Union, United Kingdom, Australia, Japan, and so on) governments. With all these activities, presently, interest in and funding for quantum computation and quantum information science are at their highest points ever, thus heralding the inevitable feat of physical realization of quantum computing hardware. Considering the ubiquity and indispensability of imaging and video technologies in our lives today, it is paramount that the utility of any future computing paradigm be measured in terms of its ability to advance and guarantee perpetuity in terms of the efficacy of such technologies. Quantum image processing (QIP), a sub-discipline mainly focused on using quantum computing hardware for the attainment of the aforementioned objectives, has emerged as one of the most promising fields in the quantum computing and quantum information science domains. Its extension to realize quantum movies (or videos), which is the main subject of this disquisition, is an even newer prospect. Consequently, the main objectives of this review are twofold. First, targeting enthusiasts and beginners in the quantum computing field, the treatise provides both an essential background on the rudiments of QIP as well as an exhaustive overview of all literature related to quantum movies and/or videos. Second, for the benefit of those already pursuing research in the QIP sub-discipline, the commentary provides useful insights, allegories, and conjectures to support the integration of other media, such as quantum audio and so on, for the realization of colored talking quantum movies (or video). On the whole, the review is intended to serve as an avenue to invigorate activities tailored toward accelerating the realization of QIP-based quantum technologies.

show abstract