Abstract:Chapter two describes an important cause for binary polarization: children’s films often focalize around a single theme from the source text and make it a driving element of the adaptation, amplifying the weight and intensity of that theme. First, this chapter explores binaries in Henry Selick’s adaption of Neil Gaiman’s Coraline to claim that instead of distorting some of Gaiman’s themes, Selick makes them stronger, leading to a widening of independent/dependent, real/other, and adult/child binaries. The chap… Show more
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