Abstract:The aim of this paper is to describe the reception of the literature of Polish Romanticism in China, as well as its long and winding road to the Middle Kingdom. The article addresses the ideological beginnings of the existence of Adam Mickiewicz’s works in the consciousness of Chinese people. The author analyses two translations of Pan Tadeusz into Chinese, made during the first half of the 20th century. Information about Polish Romanticism and the works of its most eminent representatives reached China at a v… Show more
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