“…Callahan (2004), for one, observed that the narratives surrounding China's 'national humiliation' were focused on the discourses of 'public histories, textbooks, museums, mass movements, romance novels, prose poems, feature films, and national holidays' (214). Renwick and Cao (1999) also categorized the origins in constituting a contemporary sense of victimhood into the narratives embodied in history (the recounting of humiliating stories), symbolic art (statues of national heroes, museums, novels, music, poetry and paintings) and legendary heroes. It is with respect to this last example that we will expand the discourse to sport, particularly in relation to high-profile mega-events like the Olympic games.…”